Theo Travis

This is the high resolution Blu-Ray format version of the Steven Wilson Grace for Drowning Release. It features the Album in hi resolution 5.1 stereo audio plus 2 bonus tracks, six work in progress demo versions and 5 promo videos. Tracklist: 1. Grace for Drowning 2. Sectarian 3. Deform to Form a Star 4. No Part of Me 5. Postcard 6. Raider Prelude 7. Remainder the Black Dog 8. Belle De Jour 9. Index 10. Track One 11. Raider II 12. Like Dust I Have Cleared from My Eye

4 1⁄2 is a mini-album by British musician Steven Wilson. It was released on 22 January 2016. It collects songs that were written during the sessions for Wilson's previous two studio albums.

Filmed in Mexico City and directed by long-time visual collaborator Lasse Hoile during the Grace For Drowning Tour, the set is a superb representation of the spectacular live experience that Wilson and Hoile created for the tour. The shows submerged fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song. Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol.

With their already existing three studio albums, The Tangent have proved that even today you can still pull a dedicated fanbase with classic progressive rock with Canterbury elements. The fact that The Tangent are also an excellent live band is demonstrated on their first DVD. Luxury edition with DVD and two CDs in DVD digipak with slipcase that is limited to 3.000 copies worldwide. The DVD contains a bonus live recording of Tillison's first band, which was formed in 1981. The double CD features, in addition to the DVD titles, four further tracks including cover versions of '21st Century Schiziod Man' by King Crimson and 'America' by The Nice.

The video documents Steven Wilson's first ever solo tour in October 2011, performed throughout Europe with a six-piece band comprising Nick Beggs on bass, Marco Minnemann on drums, Aziz Ibrahim on guitar, Adam Holzman on keyboards, and Theo Travis on saxophone, flute and clarinet. The setlist runs to 70 minutes across six tracks, closing with the 24-minute Raider II. Also included are Lasse Hoile's live visual films for Index, Sectarian, Veneno Para Las Hadas and Raider II.

The Overview is the eighth studio album by English musician Steven Wilson, released on March 14, 2025, through Fiction Records. A conceptual epic spanning 42 minutes, the album consists of just two expansive tracks: "Objects Outlive Us" and "The Overview." The work explores the "overview effect"—a transformative cognitive shift experienced by astronauts when viewing Earth from space, leading to an overwhelming appreciation for the planet alongside a humbling sense of humanity's insignificance within the cosmos.

Hand. Cannot. Erase. (2015) was recorded at London’s AIR Studios and saw Steven Wilson reuniting with Guthrie Govan (guitar), Adam Holzman (keyboards), Theo Travis (flute/sax), Nick Beggs (bass/stick), and Marco Minnemann (drums). “Hand. Cannot. Erase. is an album rooted in sonic and spiritual modernity… an inventive blend of bleak and brooding industrial soundscapes.” — The Guardian Hand. Cannot. Erase. is written from a female perspective; the concept and story were inspired by the case of Joyce Carol Vincent, a woman living in a large city who died in her apartment and went unnoticed for over two years, despite having family and friends.

When Theo Travis began experimenting with long-form improvised instrumentals for duduk – a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’, he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation & more. Something about the sound, the performances, the context, found, built & maintained a much wider audience than most, far more mainstream music, all without hype, marketing or a dedicated record label supporting the release.