Directing
Milan, 2030: Diana Cavalieri is a double agent for the secret syndicate Citadel, who infiltrated Manticore, the rival agency that destroyed Citadel eight years ago. Trapped behind enemy lines, Diana has a chance to leave the agency forever, but she has to decide whether to trust a surprising ally: the heir of Manticore Italy, Edo Zani.
A seemingly happy marriage begins to dissolve when the husband's faithfulness is called into question, and both spouses become tempted by other desires.
A group of bored, disaffected New York City teenagers spend a day skating, smoking, drinking, partying, deflowering virgins, and getting into fights.
On the set of Paul Thomas Anderson's Inherent Vice.
On a sunny April 15th, Irene and Paula set out on a walk to the post office. They're soon led astray by two young men who take them on an urban canoe ride through the downtown canals. As they make their way back to the post office, Irene and Paula are repeatedly diverted by a variety of encounters, sidewalk spectacles, and reminiscences of past adventures. TAX DAY follows their vacation around town, in an ode to getting out into the world, and to the pleasures of a lost afternoon.
After traveling the world, former teen star Nina decides to end her vagabond lifestyle and crash with childhood friend Jim. At first, Nina turns Jim's world upside down, but as time goes on, the quiet librarian reveals a provocative alter ego. Laura Colella's dramedy turns into a film within a film as the actor-character barrier dissolves and one cast member attempts to turn the tides by changing the story line.
Syd is an eccentric bookseller with delusions of grandeur fueled by red wine. He caused a rift 5 years ago between his bohemian housemates and the family next door, but now tries to recruit his 14-year-old neighbor as a collaborator.
A Family Finds Entertainment chronicles the story of mixed up teenager Skippy and his adventures in ‘coming out’. In this over the top celebration of queerness, Trecartin’s film mines the bizarre and endearing in an unabashed pastiche of ‘bad tv’ tropes. Cheesy video special effects, dress-up chess costumes, desperate scripts, and ‘after school special’ melodrama combine in the fluency of youth-culture lingo, reflecting a generation both damaged and affirmed by media consumption.
With deadpan comedy and rich black and white imagery, STATUARY parallels the stories of a reclusive statuary yard keeper (played by the late great theatre artist Ruth Maleczech) and a college grad looking for meaningful paying work.
