Kendrew Lascelles

In the waning months of World War II, a man and his wife are mistakenly identified as Jews by their anti-Semitic Brooklyn neighbors. Suddenly the victims of religious and racial persecution, they find themselves aligned with a local Jewish immigrant in a struggle for dignity and survival.

Young, sexy nurses and their hospital adventures: free-loving Sandy tries to cure a rock star of his sexual problems, uptight Dianne has an affair with a druggie star college basketball player all while trying to expose another doctor's malpractice, and juvenile delinquent Marisa has an affair with an accused man, in turn also trying to prove his innocence.

A German Jewish industrialist is forced to hand over his business to the Nazis in order to ensure his family's safe passage out of Germany.

A planned explosion at a bookstore sets off a chain of daring escapes.

Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations.