Erni Arneson

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

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A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.

Family drama set in the Danish countryside in the turn of the century. A wealthy landowner is an evil and corrupt womaniser with several illegitimate offspring in addition to his beautiful family. Nobody stands up to him except his feisty 17-year-old daughter.

Residents of the old house are quite happy with their existence. But once they find out that the authorities plan to demolish the entire neighborhood including their house in order to build a business center they decide to unite and fight the plan...

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It's vacation time, but the Andersen family can't figure out where to go. Reaching agreement is not exactly the easiest for the family. Everyone has his own plans how he would like to spend the holidays. Now it's just that Sune is also hot-burned at newly-relocated neighbor Sophie (Stephanie León), so he doesn't have it easy. While trying to impress her, he is chased by a vicious motorcycle thug and is constantly on the run.

The film begins with Baron von Rosensteen's funeral. As Rosensteen has no heirs, the old Rosensteen Castle is to be inherited by the Rabenfeldt family. Supreme Court Attorney Berg visits the widow baroness about a document found among the papers of her son, the deceased baron. It turns out that the baron had a child out of wedlock with a non-noble woman. The widow baroness and the Supreme Court attorney decide to find the child, as this would mean that an heir to the castle had been found. The child turns out to be a girl named Anne Tofte, who works at a gas station with her uncle Lars Tofte and his colleague Hans Høy. They persuade Anne to live with the baroness for a while, which she is not very keen on. The widow tries to teach Anne to be a fine lady, rather than the tomboyish workshop mechanic her uncle had raised her to be.

A renowned and widowed otolaryngologist hires a young, penniless poet as live-in nanny for his three rowdy – but musically gifted – children.

Egon and his two cronies managed to sneak a fortune with them to Spain. Here they live a life in a whirl of pleasures, but they are not truly happy. While Egon always has the money chained to him, Bøffen still manages to steal them. Egon ends up in jail once again, and when he comes out, he has a brilliant plan.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Kjeld Petersen plays a merchant who has stolen his clothes when he is out take a dip in the Sound. He stopped by the police, and they find a call to military service in his pocket, after further complications lands him at the barracks, where he came under the loving care of 66 (Dirch compatible) and 65 (Ove Sprogø). So the stage is set for lots of fun and games, in the right old style.

Erik Menkel is released after six years, convicted of the murder of Viktor Smith. He is sought out by an old college friend of Smith's, who wants Menkel to finish Smith's work. At the same time, Menkel knew a young woman who is looking for him. Jerle lets Erik Menkel disappear so that no one knows Menkel is still alive. Barbara discovers that Menkel is living with Jerle and seeks him out. Jerle has a terrible secret.

About five young people and their complicated love affairs. Isabel, the diplomat's daughter, is training to be an actress, Marca is a ballet dancer, Michael is a theater director, and David has just completed his military service. However, it is Gerd, in particular, whose fate will have an impact on the group. She has fled from East Germany but returns when she feels isolated. Michael and David follow her, but an attempt to bring her back to the West costs her her life.

What could be more beautiful and delightful than the Danish summer when it shows itself from its best side? Director Rasmus Strang enjoys it at his country house with his two daughters, Ulla and Linda. Ulla, the eldest daughter from Rasmus Strang's first marriage, runs the household with a firm hand and keeps her stepsister Linda isolated and unnoticed. Linda is not allowed to go out. Linda is not allowed to have new, stylish clothes.

Consul Bergholtz is ill and will probably die soon. Family members gather at her bedside, each with the expectation of receiving a share of the impending inheritance. Among the heirs are her sons, the alcoholic editor Oscar and the homosexual lecturer Ejnar, as well as their pretty and recently divorced sister Esther. But when her grandson, the cunning and unscrupulous businessman Kurt, shows up, the intrigues are stoked. Kurt couldn't care less about good manners and cultural veneer; he simply takes what he wants.

For Janus his friend Tore is his big ideal: pretty, intelligent and self-confident. Janus is grateful for his friendship even though he is considered the court jester. When Tore falls in love with the beautiful and sweet girl Helle, Janus accepts his role as their highly loved third party. Helle's fashionable mother, however, is a bit too interested in Tore. Written by Allan Simonsen

Senior barrister Cornelius Thorsen is passionate about three things: good food, fine wine and above all else his lovely daughter Else. At a party, up-and-coming businessman Mads Hovborg catches a glimpse of Else, but when Cornelius thinks Mads is a bit of a King Carrot, he has his romance thwarted. But only for a start.

A pair of octogenarians meet, fall in love, and have a passionate love affair, much to the horror of their disapproving children.

One day, High Court Prosecutor Erik Jessen is visited in his office by one of his childhood crushes, Elisabeth, now married to landowner Gustav Rosenfeldt. Elisabeth is unhappy that her husband has invited a young painter to stay on the estate for several months, and in her jealousy she wants to have a flirt visit herself. Jessen has the mischievous idea of ​​having advertising consultant Thomsen play the role of archaeologist and show up at the estate, but since Thomsen is not exactly the type Elisabeth dreams of, she manages to lure Jessen to Rosenfeldt herself.