Laura de Boer

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

The unlikely police pair Verena Berthold and Otto Garber are part of a special task force investigating organized crime in Berlin. He comes from the east, she from the west of Berlin. He's a redneck, she's from a better background. This causes conflict. Over time, things start to sizzle between the two. Their team includes the agile German-Turkish Yücsel and the sluggish Georg, who, like Verena and Otto, are constantly bickering. The department manager is Lothar Reddemann. Sputnik is a former colleague of Otto's from the People's Police and is constantly coming up with new business ideas for stores and pubs where the team meets.

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Forensic psychiatrist Fokke Augustinus makes an unexpected career change when he inherits his father's mansion in Groningen where he becomes involved with a criminal organization with a marijuana plantation on his father's land.

A mute man with a violent past is forced to take on the teeming underworld of a near-future Berlin as he searches for his missing girlfriend.

Crime lurks in the Saarland. Thankfully, Detective Judith Mohn and her colleague Freddy are always on hand to apprehend criminals of every kind. In their first case, the murder of a prostitute leads them into the trucking world.

East Berlin, 1956. Bertolt Brecht, revolutionary of the theater and poet of the state, looks back: his exploits as a teenager during the World War I; his romantic adventures during the twenties; the escape of the Nazi regime; the return from exile. The life of a timeless classic, a class fighter, an indefatigable free spirit, a committed artist.

The German inspector Max Grosz sets off with the Norwegian policewoman Thea Koren to Spitsbergen in search of his missing nephew. In the process, they delve deeper and deeper into a web of intrigue and political interests, because the disappearance is apparently connected to the controversial takeover of an agricultural company.

Freya Becker is a typist with the homicide division of the Berlin police. Freya’s daughter, Marie, disappeared 11 years ago without a trace, and Freya is determined to uncover the truth, whatever the cost.

In the 14th century, a young merchant's daughter from southern Germany sets off on the adventurous Way of St. James to faraway Santiago de Compostela to fulfill her father's last wishes and bring his heart there. Disguised as a man, the pilgrim is hunted by pursuers set on her by her conniving brother.

The single mother Caterina Schöllack takes over the management of the Galant dance school on Kurfürstendamm ("Ku'damm") in Berlin after the end of the Second World War. The father of their three daughters did not return to the family after the war, he is officially missing.

England, 19th century: Seth Pilaster runs one of the most influential banking houses in the kingdom. When Hugh Pilaster, the capable and talented youngest member of the family, realizes that he has no chance against his less talented cousin on the career ladder due to family circumstances, he tries to drown his frustration in the dive bars of London's working-class districts. There he falls in love with poor Maisie. However, as he sees no prospects for either his professional future or his love for Maisie, he first goes to America, only to return six years later as a successful banker. To make matters worse, Maisie is now married to Hugh's best friend and the balance of power has also changed fundamentally.

A chronicle of KLM Dutch Royal Airlines founder Albert Plesman and pioneering aircraft manufacturer Anthony Fokker's symbiotic but tempestuous bond as they struggle to establish the interwar Netherlands' role in global civil aviation.

First, go back to the story. Job Weemoedt's talent manager at the management company Talent Republic in Amsterdam. Effortless maneuvering through the snake pit of the entertainment world. He kept "his" Famous Dutch for the pitfalls and temptations in their path and keep their scandals in the press. Until he himself off the road and his carefully constructed world completely collapses...

On a post-apocalyptic world of never-ending winter, a sparse cast of outsiders live underground. Due to their unsanitary conditions, sexual contact has become dangerous. Masturbation has become the paradigm of sexual experience and an array of low-tech devices with this purpose has come into existence. In this bleak reality, Czuperski (a dealer of such machines) and Tania (a sex addict) make a deal: she will allow him to experiment new devices on her body in exchange of pleasure. Soon however, their relationship goes out of control.

Bookkeeper Jacob newest client is the talented and flamboyant actress Anne. They first meet each other on her houseboat, the morning after the premiere of Anne's new theatrical play. Anne has made a mess of her personal finances and she has a lot of debt. So much so that she may even have to sell her houseboat. Jacob does what he can to help her.

Kishori, unmarried and mother to a daughter, and her sister Sonal live in a house in Berlin. The house and a cafe on the ground floor are led by Kishori. All of a sudden, her strict and traditional grandmother comes for a visit from India. She wants to sell the house unless Kishori agrees to marry the father of her daughter, Robert. As Kishori feels obliged to all the befriended inhabitants of the house, including Robert, to keep the house, Kishori und Robert prepare to have a traditional Indian wedding.

Following 'Leedvermaak' (Schadenfreude) from 1989 and 'Qui vive' from 2001, the trilogy is now complete with 'Happy end'. Frans Weisz directed, Judith Herzberg wrote. A family history in which three generations of a Jewish family each struggle in their own way...

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.