Acting
Paying a rare visit to her estate, a countess clashes with the man she hired to manage it.
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Leopold and Franz are coach drivers and best friends. Their relationship gets strained when Franz decides to modernize by buying a taxi cab. Leopold, grumpy keeper of tradition, is not pleased.
Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.
Riccardo and his troupe travel around the world performing musical and dance numbers in vaudevillian and circus theaters. Dancer Kitty is so impressed when she hears him sing that she asks to enter the company, but is turned down by Riccardo. Then in the middle of a number at the Winter Garten she pops in and the audience loves it. Now she will try to win Riccardo's heart, although he has a secret from his past that might be an obstacle.
The young Monika Dahlhoff returns from the USA after two years. As soon as she arrives, she learns that her father wants to sell his traditional stud farm, because he has quarreled with the members of the equestrian club. Accordingly annoyed is the old Dahlhoff, when his daughter just fell in love with the son of his greatest enemy. In the annual "Hubertusjagd" there is a dramatic encounter between the men.
An easy-going hussar officer successfully vies for the love of a millionaire's daughter.
Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.
An incredibly popular stage performer unknowingly falls madly in love with the lone critic that savaged her performance in the press.
Just as the equally renowned lawyer Dr. Bratt is about to close his practice to go on a well-deserved summer vacation, a man suddenly appears before him and claims that he cannot wait under any circumstances. Benno Paradis wants a divorce, and he wants it as soon as possible.
