Aymen Mabrouk

The events revolve around Ali Bin Al-Bashir Al-Saghir, better known as Ali Chwereb, and shed light on that historical, political, and social stage in Tunisia.

A word that defines the one-way journey by death boats, from Tunisia across the Mediterranean Sea, to Europe the safe haven in the eyes of these immigrants.

After the death of Arbi Sallemi, his children are forced to confront long-buried tensions, family rivalries, and financial struggles. What begins as a father’s attempt to reunite his fractured family soon turns into a battle over inheritance, as his children navigate grief, resentment, and personal ambition. With secrets unraveling and conflicts escalating, the fight for what remains threatens to tear them apart.

Twins, identical in appearance but different in soul. A double female point of view, narrated between Italy and the Middle East, between the affirmation of identity and the risks that people are willing to take to get what they want.

Alyssa, a rebellious 19 year-old girl, and her friend Mehdi — a shy and introverted 23-year-old young man — who use their imagination to escape their unpromising reality. When they discover a contest in the south of Tunisia that may allow them to flee for real, they decide to undertake the road trip regardless of the obstacles in their way.

A young girl leaves the comfort of her home town to work for an NGO at a hospital in Libya. Adaptation of the novel by Laura Garzón.

A doctor broken by 8 years of war in North Africa tries to come back home. On his way, he is faced with a bigger challenge: save a city from the plague... and from madness.

Antonio and Giuseppe meet at the hospital, while awaiting the birth of their respective first children. The two leave together for a quick lunch, ending up involved against their will in an odyssey of amusing setbacks and bizarre characters.

The journey of three women of different ages and conditions in the midst of the turbulence of the summer of 2013. These three imaginary stories draw their reference from prototypes of more or less known women who participated in the Bardo sit-in, will be treated as a fiction against a backdrop of historical events whose images will be drawn from the archives of this period that marked the short history of Tunisia, after the revolution. Thus highlighting the journey of the three characters and that of a country in full turmoil.

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