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Historical post-war drama about memory, trauma, and the complex reality of wartime heroism. It is adapted from the novel Le Compagnon secret by Daniel Anselme.
About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.
In Paris, unhappy movie actress Catherine Crachat becomes infatuated with the mathematician Pierre Indemini, but then breaks up with him. After a film shoot in Vienna, Catherine stays with a rich admirer, Fanny Hohenstein. Fanny has a history of many lovers of both sexes, two of whom killed themselves over her.
In 1956, the rich French publisher of the works of the Marquis de Sade, Jean-Jacques Pauvert, was summoned to court for violating good morals and publishing pornography. Sade was born in 1755 and already in 1778 he was sentenced to a years-long prison, which was renewed by himself because of the writing of "scandalous" texts. This saved his life after the French revolution, but he soon came into conflict with Robespierre.
Via the New York Times: ""Le Temps Detruit" is a low-keyed, dreamlike recollection of the first year of World War II as recorded in the letters sent home by three French soldiers, each of whom was killed shortly after the "phony war" came to an end with the German offensive in May 1940. One of these was the father of the film's director. The two others were Paul Nizan, the writer and Communist, who became disillusioned with Marxism when the Hitler-Stalin pact was signed, and Maurice Jaubert, the composer who wrote the scores for a number of films, including Jean Vigo's "Zero de Conduit.""
Until the day in 1978 when he was accused by a weekly newspaper of being the main organizer of the Vel'd'Hiv' roundup, everyone seemed to have forgotten that in 1942, René Bousquet was head of the French police. But then the past caught up with this former high-ranking civil servant, brilliantly reconverted into high finance. The next fifteen years will be devoted to answering the accusations. To organize his defense, he knows he can count on the support of his family and a network of political contacts. Gradually, the ambiguity of the compromises and "arrangements" made by almost all the political forces at the Liberation, in the name of national reconciliation, becomes apparent.
At the beginning of the twentieth century, two friends, one a homosexual and the other a writer, fall in love with a young divorced woman.
In 1953, two journalists went in search of former leaders of the Vichy regime. Their investigation allows them to find and film about fifteen former "Hotel du Parc" members who supported the policy of French collaboration.
