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Augusto César Vatteone

Augusto César Vatteone

Directing

Known For

Al marido hay que seguirlo
9.0

A doctor must pretend to be single and his wife follows him to the field causing a series of incidents.

Al marido hay que seguirlo

1948
Giácomo
7.0

Giácomo is an Italian man in his forties who is single, dedicated to earning money in his business. He strikes up a relationship with a Spanish singer, whose brother encourages her to conquer him to take her money.

Giácomo

1939
Juvenilia
7.7

A group of young people from the Colegio Nacional Buenos Aires recount their wanderings and their days in high school at the time of the National Organization in Buenos Aires.

Juvenilia

1943
Ha entrado un ladrón
9.0

The consequences of having accepted a thief as a guest in the house.

Ha entrado un ladrón

1940
Five crazies on the track
10.0

A group of friends, artists and mechanics invent a unique, high-powered car carburetor that will allow them to win an important race. The device is stolen, and the prime suspect is the girlfriend of one of them. In their quest to recover it, they become involved in a madcap race of intrigue, confusion, and entanglements, in which the protagonists display all their histrionics and comedy.

Five crazies on the track

1950
Big five and a girl
5.5

The five members of a soccer team discover a case of bribery.

Big five and a girl

1950
La muerte flota en el río
N/A

A policeman goes on the trail of a smuggling gang whose boss wants his girlfriend.

La muerte flota en el río

1956
Mamá Gloria
8.0

The romance in a student pension run by a good-natured spinster, between a pensioner and a student gambler.

Mamá Gloria

1941
The Priest Lorenzo
7.5

A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.

The Priest Lorenzo

1954
No image
9.0

A thief, after robbing a bank, meets by accident an aristocratic woman who asks for money to help an elderly asylum. They fall in love despite belonging to two different worlds.

El último encuentro

1938