Mario Jannilli

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.