Writing
Russian scientists have created an android policeman. Perfect in all respects, Captain Anna Nikolaevna Korolkevich goes to serve in a provincial city to see real life and become a human. Colleagues think that Anna Nikolaevna is the daughter of the deputy minister, and nothing portends trouble until humanization goes too far.
A fantasy drama infused with music and horror fables based on the real story of the 'King and Jester', a cult Russian punk-rock band, enormously popular in the 1990-2000s. The show goes along the band's rocky road to success and tells the story of its polarizing-natured frontman Michael Gorshenev and his tragic death in 2013. Tricksters, evil spirits, noblemen, and other characters of the 'King and Jester' song verse make their way into the lives of Gorshenev and his bandmates.
Petr is not only a successful writer but also is the owner of the agen- cy called Alibi — that creates alibis for the clients who need to hide their lies and failures. His second business is hidden, so he himself has a double life. But his attitude to lies changes when his own wife appears at the agency asking for an alibi. From this moment on, he will solve not only his client’s problems, but his own. Unfortu- nately, he’ll be able to help everyone but himself.
Fyodor is an ordinary guy who discovers a mysterious gift. He is being followed by people in desperate need to find closure from their past. One little inconvenience- they are ghosts. And the only way to get rid of them is for Fyodor to help them find what is holding them off on Earth and help them make a final departure. Things get even more complicated when Fyodor's own father appears on his doorstep. He was only nineteen when he died, and his closure is the fact that he left behind a son that he didn't really get to know.
A story about a juvenile inspector who was left by his wife and now is raising a teenage daughter alone. In order to establish a better relationship with her, he decides to stalk her using a social media account that actually belongs to a young man he has been working with. This ‘fathers and sons’ story about today’s teenagers and the midlife crisis.
A young female doctor and her 6-year-old daughter are on an overnight flight in a violent storm. When passengers on the half-empty plane inexplicably begin to die, the woman’s grip on reality weakens and she is forced to relive her worst childhood nightmare.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
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Dina is a successful business woman, she has everything: carrier, money, family. But her life turned around when her private helicopter crashed in vast expanses of snowing taiga. She miraculously survived. The nomadic tribe whose life has not changed for centuries finds her. Now she will have to fit in. But does she have any chance to get back home or is she lost in the north forever?
Ignat began to drink, for which he was expelled from the Institute. He returns to his native County town, where there is nothing to do, all die of boredom. There is only one unmarried man — a local military Commissar. Ignat once annoy him, and the military Commissar promised to send him to the army. First Ignat runs from the military Commissar, and then suddenly they struck up a friendship, the military Commissar becomes a guy instead of his father, whom Ignat did not have... Then Ignat decides to go to the army, because he has absolutely nothing to do, but at the last moment he becomes afraid, and he goes to recover to the Institute…
Two close friends working for a provincial TV channel dream of getting rich and popular in the capital. They persuade their cute colleague Nadia to participate in a TV reality show, the participants of which must find the lost treasures of Admiral Kolchak.
After coding from alcoholism, Anatoly Snarov looked at his life with new, sober eyes. It turns out that he has a wife, children and a responsible position of the head of housing and communal services in the district town of Sorochinsk. Having achieved enlightenment, Snarov decides to make others happy. He becomes an exemplary family man and an active citizen. His stormy activity quickly goes beyond the powers of the head of housing and communal services. In the hope of saving themselves from an active reformer, Snarov's entourage is throwing all their strength into decoding him...
Sergey visits the psychoanalyst Bryusov, who at each session inspires him with the idea of divorce from his wife. "Family is not the main thing! The main thing is what you want!" According to Bryusov, his wife suppresses his own "EGO" in him. Lenochka, Sergei's wife, goes to confession to the priest, Father Sergius. The father, unlike the psychoanalyst, punishes Lenochka, at all costs to save the family. "Family is the main thing! All for the sake of the family!" This confrontation between the psychoanalyst and the priest has been going on for a year and a half. Who will win?
