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John Fletcher

Sound

Known For

Every Day Except Christmas
6.6

A short documentary filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.

Every Day Except Christmas

1957
Together
6.9

The workaday boredom and crushing hardships of London's East End in the 1950s, seen from the point of view of two deaf-mutes who share a strong bond of friendship.

Together

1956
Integration Report 1
7.6

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

Integration Report 1

1960
Momma Don't Allow
6.5

A Free Cinema short documenting a night at the Wood Green Jazz Club, observing youth culture, music, and social dynamics through an unobtrusive, non-narrated style.

Momma Don't Allow

1956
About "The White Bus"
8.0

Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.

About "The White Bus"

1968
We Are the Lambeth Boys
6.8

Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.

We Are the Lambeth Boys

1959
£20 per ton
10.0

Wintry snowfall in a factory yard contrasts with the furnaces burning within. This film follows the eye of the firm's accountant as he traces waste and excess about the works. The concerns for fuel efficiency and reducing pollution are all about economy, even when the narration talks of coal heating up the atmosphere. Among the wastrels are the workers, who are shooed away from a warming stove.

£20 per ton

1955
No image
8.0

A sports documentary about association football that follows a week in the life of West Bromwich Albion football club.

The Saturday Men

1962
Circus at Clopton Hall
N/A

On a summer's day, a group of children improvise a circus at an abandoned farm in Suffolk.

Circus at Clopton Hall

1961
O Dreamland
6.2

Lindsay Anderson's early documentary film of a British amusement park, the irony of its manufactured fun on full display.

O Dreamland

1953
Nice Time
6.1

A montage of the night-life of Piccadilly Circus across the hours, from early evening to the last lingering passers-by.

Nice Time

1957