Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
A long-running German television series about a two-man team of highway police, originally set in Berlin and later in North Rhine-Westphalia.
SOKO 5113 is a long-running German police procedural television series. It was first aired in 1978 on 2 January. SOKO is an abbreviation of the term "Sonderkommission" in German.
The spin-off to the original series 'In aller Freundschaft' focuses on the young doctors in a fictional clinic in Erfurt. In this emotional drama series, hospital staffers and patients navigate life's challenges.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Series written by Christiane Sadlo about writer and journalist under the pseudonym "Inga Lindström" and her family. Characterized by impressive landscapes, all of which are shot on location in Sweden. Series has no continuous storyline, and each episode is filled with new characters.
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Freya Becker is a typist with the homicide division of the Berlin police. Freya’s daughter, Marie, disappeared 11 years ago without a trace, and Freya is determined to uncover the truth, whatever the cost.
Vormärz in Germany: Gisela and Walther, a maid and a servant - a predestined path of life, which Gisela rebels against. Her free-thinking spirit puts her in great danger. Is Walther going to join her on this dangerous path?
Nerdy Jewish Nelly Sue Edelmeister, daughter of a New York mother and Berlin musician in Berlin gets straight A's, except for gym. When she hears her dream prince, actual royal Edouard, a fellow astronomy buff who studies in Luxemburg, patronizes the basketball tournament hosted there by a European school she wants to join her school's girls team.
Heddi is a self-confident and battle-hardened coastal fisherwoman. She only has one weak point: her daughter Eva. Eva is an environmental activist and just as militant as her mother. But despite their resemblance, Eva doesn't want to know anything more about Heddi; there has been radio silence between the two for years. But now Eva and her ten-year-old son Jannis turn up unexpectedly in the small Baltic Sea village, ostensibly for a birthday visit to Grandma Lore, where Eva spent most of her childhood. In reality, however, Eva is in big trouble: She has to serve a prison sentence for resisting law enforcement - and a repeat offender at that! - she has to serve a prison sentence. But who will look after her little Jannis while she is away?
West Germany, 1983. Seventeen-year-old Ursula wants it all and is thus too much, although all she's looking for is love. Enter Siegfried Grimm, the charismatic new teacher who finally recognizes Ursula's true potential. She falls for him, head over heels. A pity that Grimm sexually liberates the entire village - except Ursula. While the Grimm acolytes fight for the favor of their idol, Ursula resorts to more radical measures. Whatever it takes, she'll get back at Grimm.
Heidi heads to the Heidelberg Christmas market to sell her hand-painted ornaments. While there, she falls for a local artisan who helps her reconnect with her lost heritage.
Timo is in his late 20s, a former Bundesliga soccer player and has fallen from grace. He has been known as the "disgrace of Altona" ever since he botched a penalty kick in a cup match. After countless escapades, his professional career is over. He now earns his living as a bouncer in a bar. But his family situation is much worse than his professional downfall: his ex-wife Nicki is now living with Robert, his ex-manager. He only sees their three children Tom, Luis and baby Lilly three days a week.
Is. This. My. Son? No matter how often Tobias Wilke poses this question, there's always only one answer: Yes! Tobias, can't believe his eyes when he comes to the airport to pick up his 17-year-old son Finn – and learns that Finn is now calling herself Helen and wearing girls' clothes. Finn/Helen reveals that she's always was a girl, and that she used her year abroad in San Francisco to pass the "everyday life" test. This is required by law for everyone preparing for the sex reassignment surgery they will undergo upon reaching majority. Reactions from Helen's friends, acquaintances and schoolmates cover the entire gamut from derision to solidarity. Especially Helen's father, a well-known chef, finds it difficult to accept a situation he cannot understand. But Helen nearly always finds the right words - and humor - to counterbalance the ignorance and jeers of those around her. It is the beginning of a long, winding road towards the sexual identity she is convinced is hers.
When Bertha dies, her granddaughter Iris inherits her house and finds herself back in the home where she and her cousin used to play dressing-up in the summer holidays. While she wanders from room to room, she gropes her way through memories and things she had forgotten: What did her grandfather really do before he went to war? Which men were Bertha’s daughters in love with? Who ate his apple with the seeds?
