Guido De Belder

Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to follow later. In a routine examination in the hospital, however, he finds out that he has cancer and his days are counted. The upheaval that he suffers as a result, however, does not take long, his decision is certain: he will use the short time to clean up some bad guys. What else can he do now?

Unable to possess Ivy in reality, Adrian organizes himself so as to know everything about her, to possess her story. Like the viewer, Adrian will be an involuntary detective, witness to a passion.

The story of a man who lived alone in an atomic fallout shelter after the A-Bomb was dropped, so he can’t read, write or speak. 20 years later the shelter opens and he wanders into a barbaric world full of sex and depravity.

Rob Van Eyck’s De Terugtocht (1981) is a bleak, unforgiving slice of Flemish cult cinema. The gritty revenge thriller follows a man returning to his hostile native village after serving seven years for a rape and murder he did not commit. Instead of a fresh start, he faces brutal social isolation and relentless torment from the locals. Driven to the edge, his quest to find the real killers spins out of control, trapping him in a tragic, inescapable cycle of violence.

After losing his wife, a young man unable to put up with the pain, sinks into schizophrenia. As of this moment, the world, now seen through the filter of his mental condition, changes and becomes a frightening maze. So much so that at a time he collapses in a shopping street of Brussels, falling victim to a heart attack.