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Henry Daniell

Henry Daniell

Acting

Biography

From Wikipedia, the free encyclopedia Charles Henry Daniell (5 March 1894 – 31 October 1963) was an English actor who had a long and prestigious career on stage as well as in films. He is perhaps best known for his villainous roles in films like The Great Dictator, The Philadelphia Story and The Sea Hawk. Daniell was given few opportunities to play a 'good guy', including a supporting part as Franz Liszt in the biographical film Song of Love (1947). His last name is sometimes spelled "Daniel". Daniell's film debut came in 1929 in Jealousy. He appeared as Professor Moriarty in the Basil Rathbone-Nigel Bruce Sherlock Holmes film The Woman in Green (1945). He appeared in other films such as Charlie Chaplin's The Great Dictator (1940) (playing Garbitsch, to sound like "garbage", a parody of Joseph Goebbels), and The Body Snatcher (1945, with Boris Karloff and Bela Lugosi) – as well as two other films in the Sherlock Holmes/Basil Rathbone series: The Voice of Terror (1942) and Sherlock Holmes in Washington (1943) with fellow Moriarty George Zucco. Daniell played the sleazy Baron de Varville opposite Greta Garbo in Camille (1936). Another early triumph was his portrayal of Cecil in The Private Lives of Elizabeth and Essex (1939). He also played the treacherous Lord Wolfingham (no relation to Francis Walsingham) in The Sea Hawk (1940), fighting Errol Flynn in what is often considered one of the most spectacular sword fighting duels ever filmed. When Michael Curtiz cast him in this film, Henry Daniell initially refused because he couldn't fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces. Towards the end of the Second World War, he appeared in one of his most memorable film roles, as the cruel Mr. Brocklehurst in Jane Eyre (1944), opposite Joan Fontaine who played Eyre. That same year he appeared in The Suspect as Charles Laughton's blackmailing next-door neighbour. In the 1950s and 1960s, he did much television, and also appeared as the malevolent Dr. Emil Zurich in Edward L. Cahn's The Four Skulls of Jonathan Drake (1959), and in an episode of Maverick, "Pappy" opposite James Garner the same year. An absolute professional, he was always on the set when needed, and impatient when delays in filming took place. Much in demand for his dry, sardonic delivery, Daniell moved easily from big-budget films, such as (uncredited) Mutiny on the Bounty (1962), to television without difficulty. In 1957, Daniell appeared as King Charles II of England in the NBC anthology series The Joseph Cotten Show in the episode "The Trial of Colonel Blood", with Michael Wilding in the title role. In the same year he played the instructing solicitor to Charles Laughton's leading counsel barrister in Witness for the Prosecution (1957). The actor claimed one of his favourite roles was as Tony Curtis' supervisor in the acclaimed Blake Edwards film Mister Cory (1957) at a time when the actor's career was clearly slowing down, but Daniell retained some of the best and most memorable lines in the movie, "A gentleman never grabs. Manners, Mister Cory. I find them a prerequisite in any circumstance."

Known For

Matinee Theater
5.3

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater

1955Series
Lights Out
6.0

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

Lights Out

1949Series
The Islanders
8.0

The Islanders is an American adventure television series which aired on ABC from 1960 to 1961, starring William Reynolds, James Philbrook, and Diane Brewster. At the beginning of the series, Sandy Wade and Zack Malloy, co-owners of a Grumman Goose amphibious aircraft, start their one-plane airline in the Moluccas or Spice Islands of the southeastern Pacific Ocean. Throughout the series they experience a variety of adventures where seemingly harmless charter flights put them into danger. They are frequently aided in their endeavours by the unusually-named Wilhelmina ”Steamboat Willy” Vanderveer and Shipwreck Callighan. The Islanders, primarily sponsored by Liggett & Myers' Chesterfield cigarettes, aired at 9:30 Eastern time on Sunday evenings opposite The Jack Benny Program and Candid Camera on CBS and the second half of The Dinah Shore Show and the last season of The Loretta Young Show on NBC. William Reynolds stated in an interview, "The series went from being sort of like a Terry and the Pirates or a Maverick type of concept to becoming just a bunch of people skulking around. It wasn't very good." After The Islanders, Philbrook co-starred in the 1962-1963 season as a magazine publisher and the love interest of Loretta Young in her short-lived The New Loretta Young Show, which aired Mondays on CBS. Reynolds went on to star in two other ABC series,The Gallant Men, a World War II series, and The FBI with Efrem Zimbalist, Jr..

The Islanders

1960Series