Chang Yi

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

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Taiwanese comedy. A large diamond named "The Light of Shanghai" is given as a gift to the boss of Shanghai Beach, a local gang, and it triggers a battle among the thief Luo Ping, the prostitute Su San, and others

In 1945, Japan had surrendered but the news did not reach a small village in China. The local guerrilla force still put up a hilarious fight with the Japanese command.

Arriving in Taiwan in the 1950s, Kuei-mei makes a disadvantageous marriage to a widower with three unruly kids and a bad gambling habit. Beautifully portrayed by celebrated actress Yang, she weathers pregnancies, her husband's infidelity, her daughter's resentment, a stint as servant in Japan, divorce, and illness while struggling to keep the family restaurant business afloat.

Wu Linfang, an immigrant from the mainland to Taiwan more than a hundred years ago, grows from a poor boy to a leader who instructs villagers to open oil wells

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

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Set in China during the 1940s, story told through the eyes of a 10 year old boy of the relationship between the boy, his mysterious nanny and her weakling godbrother.

A housewife whose life only revolves her husband finds herself being cheated. She becomes angry and neurotic and can't accept the fact at all. Finally, she realizes that the only choice she has is to compromise and to forgive, but it was already too late.

An adaptation of Xuan Xiaofo’s novel of the same name

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An Zhuo is a shy and polite teenager. His parents are very strict. In addition to normal classes, he has been supervised to learn English, Spanish and violin. Every day is full of classes. However, what he is really interested in is watching the sky with a telescope at night. One day, a super baby from outer space accidentally enters his world. Appears to be in the vein of E.T.

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No description available.

Three delinquent schoolchildren discover a group of sea turtles on the beach. They bring them into town to much consternation from the local adults

A low-key film about a mother's relationship with her growing son. The middle-class Mrs. Pan lives in Taipei, is married to a mainlander, and has two children, her son Han-sheng and a younger daughter Han-lin

The film consists of four stories about four different dogs and their owners' lives, reflecting love, life and departure.