Anssi Mänttäri

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Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During World War II, Laila rescues a crashed German fighter pilot, Hans, and the two develop warm feelings for each other during his convalescence. Years later, after the war, Hans returns to Lapland as a freelance photographer and manages to lure Laila to run away with him to the capital, Helsinki, to start a career as a photo model, much to the chagrin of her traditional father, Aslak. After initial happiness, however, Hans abandons Laila, and the decadent lifestyle of a big city sends her life into a downward spiral.

A woman who has been raped by a man at a party plots and executes an elaborate and humiliating revenge.

Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

The story of a modest man, played by Ilkka Heiskanen, who decides to become a mercenary in the Yugoslavian civil war. This decision leaves him completely destitute. His parents do not approve of his decision, nor do his friends at the local bar.

A group of men all called Frank—except for one named Pekka—have had enough of life in their working-class neighborhood, so they set off for a better existence in the magical seaside district of Eira. But the way is long, and the group face many hurdles including stray dogs and defunct streetlights.

Kari Uusitalo, a regular visitor to the Tampere Film Festival, delved into the state of Finnish cinema of the mid-1980s, while getting to know the new generation of filmmakers in Anssi Mänttäri's comedic short documentary. Deep in Reppufilmi's cellar, in addition to director Mänttäri, we meet Pirkko Hämäläinen, Markku Toikka, Matti Pellonpää, Paavo Piskonen and Pauli Pentti. The film poses the question: why is a person, an artist, willing to risk everything over and over again?

Businessman Erkki Hakala returns to Ostrobothnia after years in Florida and buys a metal workshop in Jalasjärvi from the unknown Partanen brothers with his business partner Taisto Matsomppi. Erkki misses his wife Kaisu, who back in the day stayed in Finland, and his child, but will the man be forgiven for years of absence?

When a new man appears in Tuula's life, Jorma does not tolerate the idea and begins to yearn back for his ex-wife. They drift into a situation where both face a big choice that has far-reaching implications for the rest of their lives.

Kari Syysmäki, a Finnish Businessman is on a vacation with his wife in Tallinn. When his wife is away a young man enters their hotel room with a gun. He tells to the businessman that he has just tried to rob a bank, but accidentally shot one of the clerks. Now he's hiding from the cops. But when the bank robber forgets his gun on the table, Syysmäki grabs it and shoots him in the back. After that Syysmäki refuses to travel back to Finland with his wife. He stays in Tallinn and soon he's about to face both the cops and the mob of Estonia.

Middle-aged municipal architect Mikko is frustrated with his job and his marriage, so for years he has directed his energy into renovating a turn-of-the-century wooden villa on the seaside. One beautiful summer evening Mikko and his wife Liisa invite old friends to a party in the villa: divorced intellectual Erik who gets along a little too well with Liisa; and noisy building contractor Hessu with his young and sexy new wife Pirre. Their increasingly drunken discussions are interrupted by a surprise visit from Mikko's and Liisa's daughter Jonna and her husband Pete. A conflict between the father and the daughter ensues in front of the guests.

Matti Mäki is a young man who gets involved with a corrupt police man seeking proof that his wife, a night club singer, is cheating on him in this film noir style thriller.

Anni wants a new mommy for herself and a new wife for her dad. But dad has forgotten how to find a wife and needs Anni's help.

A man fakes his own suicide in order to see how his close ones react.

This is a sad story of Eros and Psyche. Sadder than the ancient myth that was only a dream after all. In my story, the characters learn nothing.

Eero Tyrni, a reporter for Iltapäivä newspaper, is in Austria doing a story on ski jumper Teemu Kimpilä. Kimpilä's jumps fail and he disappears from the scene. Left behind are his third wife Sari, his sponsors, the Ski Association, and the Finnish people. Tyrni is tasked with finding out where Kimpilä disappeared to.

Based on the Bertolt Brecht play, the movie follows the farmer Puntila, who when he's sober is a real pig but whenever he gets drunk becomes very generous. Puntila is trying to get his daughter to get married, but the problem is that his drunk self wants her to marry another man than his sober personality wants.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

The Torniainen are a couple consisting of Raija, a flight attendant, and Hanski, a civil engineer. They have long wanted to have a child. Tests show that Hanski is infertile, and the doctor offers little hope.