Michel Israël

A female vampire must bathe in the blood of virgins in order to stay alive. The trouble is that virgins are in short supply nowadays, and she is running into major problems in finding one.

When Nora witnesses Abel being bullied by other kids, she rushes to protect him by warning their father. But Abel forces her to remain silent. Caught in a conflict of loyalty, Nora will ultimately try to find her place, torn between children's and adult's worlds.

In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.

Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.

A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.

Simon, a burglar on probation, agreed to go on the biggest shot of his life: The flight of the "Florentine", a mythical diamond set auction by its owners. To succeed, he must approach Julia, expert diamond for sale which is a considerable personal and family issue. Beyond a jigsaw particularly daring, Julia Simon will lead to a destiny she could not imagine.

Upon the death of her husband, Claire (70) decides to reconnect with her estranged son, down and out R&B musician Sid. She asks him to help her restart the old girl group she used to sing in with two of her friends from the old days. The rebel son is hesitant at first but eventually agrees under one condition: the band has to play HIS music.

The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.

In Petersburg during perestroika there are two people, Alya and Nika. She is a little funny Petersburg intellectual; he is a French architect. They cannot live without each other, but they cannot together, either in the ancient Lyon castle, or in her communal apartment inhabited by colorful neighbors. Next to Alya is her childhood friend - Mitya, whose love she does not notice. He uses Ali's ridiculous mistake and Niki's jealousy to separate them for years.

A murder is committed in the building where Aurélia Maudru, inspector of the judicial police in charge of the investigation, lives.

The Barons have a motto: "slack off more to live longer." Every human being is born with a credit of steps. Every step you take brings you closer to death. We Barons know this from the start.

At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.

No description available.

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.

Two young men have left their obscure Balkan country to earn some money as "guest workers" in western Europe. On their way back home, they attempt to change trains in Paris but encounter surprising difficulties from the ticket authorities there. It seems that political changes have rendered their homeland nonexistent, and their passports are no good. Before long, they are stranded in Paris without passports, without a country, and soon even their luggage is stolen. Their fumbling efforts to straighten out the mess result in the French press getting into the act, labeling them as Russian spies. The Parisian expatriate community takes them into its bosom, and romance blooms between one of the lads and a Spanish hatmaker, before they finally achieve a (highly improbable) solution for their difficulties.

A young woman tries to ease herself out of the closet without terrifying her parents in the process in this comedy-drama. The year is 1969, and Sacha (Marie Bunel) is a young Belgian woman living in Canada. Sacha's family sent her to Canada to attend medical school, but she hasn't had the heart to tell them that she's dropped out of college to devote herself to her new interest in photography. Sacha also hasn't told her parents that she's a lesbian -- and that she has a new girlfriend, Odile (Macha Grenon). Odile is tired of being kept a secret, and insists that Sacha tell her parents the truth before American astronauts land on the moon in a few months -- or else. Sacha flies home to Belgium for a visit, planning to come clean to her folks, but she discovers they've arranged a huge welcome home party for the entire neighborhood. With everyone so excited that the soon-to-be-doctor is paying them a visit, Sacha wonders when the time will be right to give her family the news.

Victim of a rape, Nadia Coupeau decides to keep the child despite her precarious personal situation. But her child is soon taken away from her and placed in public care. Desperate, but ready to do anything to get him back, she decides to join her friend Zoé in the capital... In this version freely inspired by Emile Zola's work, Nana's trajectory is a cross-section of contemporary society, from the jungle of the suburbs to the golden world of business.