Pimpaka Towira

A lovelorn man overcomes the pain of splitting with his wife with a newfound love, only for his mother and brother to frustrate his happiness.

A story about three youngsters who are haunted by the spirit of their teen-idol friend, Joy, who died under mysterious circumstances in Last Summer.

Mary is in her last course of school. She'll confront sudden changes in her life, loving relations and friendship. Based on some tweets of an anonymous girl.

Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.

In a small province in Thailand, the life of the former Thai veteran, Yong, casually seems like a typical old man. Even though he currently feels unwell, Yong spends every day with the dream of building a tree-house solely with his own hand, and raising an intelligent niece.

On her wedding night, Sipang's husband leaves his bride hurriedly after receiving a call. That, unfortunately, would be the last time Sipang sees her husband. As the young bride teams up with her husband's brother and his wife, she slowly uncovers facets of her husband's life she never knew existed. With her husband still missing, Sipang launches a desperate search for him.

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul

Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.

Masterfully filmed, atmospheric moment. The period of mourning comes to an end at a temple-like funeral chapel. The final visitors are not mourners, but want to buy off their guilt. The mother wants to see a real confession. And money. The intense emotionality the death of a child evokes is, as it were, sculpted in space while the tension between the mother and the visitors is captured more subliminally by a roving camera.

An experimental take on the folk legend of the ghost Mae Nak Phrakanong. This film subverts perspective, telling the story from the viewpoint of the vengeful spirit of a woman who died in childbirth rather than the terrified villagers.

Two women face one another. Two worlds touch. Past and presence. The young woman warns the older woman. Something terrible will happen. The older woman massages the general. She knows the general’s secret. She wanders through empty rooms. Rooms coated with a patina of secrecy. The warning hangs in the air. The young woman doesn’t have a chance. Towira’s films are characterised by a fusion of stylisation and realism. She holds a mirror to reality, a mirror that is closely related to the country’s history.

A man is depressed after returning from a political protest.

Inspired by the case of enforced disappearance of an ethnic Karen activist Porlajee Rakchongcharoen (a.k.a. Billy) who went missing in Thailand near Kaeng Krachan National Park in Petchaburi province, 100 miles (161 km) south of Bangkok. Park authorities arrested the Karen activist on April 17, 2014 for possessing a wild honeycomb and six bottles of wild honey but released him after giving a warning. He disappeared shortly afterward.

The Truth Be Told is an epic-scale documentary that follows three and half years in the life of Supinya, a media activist who was sued by the Shin Corporation for stating that the company had benefited from the policies of the administration of Thaksin Shinawatra, whose family owned the company. The documentary is snapshot of a turbulent period in Thai politics, from the Thaksin years, the anti-Thaksin backlash that arose after Thaksin sold his share in Shin to Singapore's Temasek Holdings, and the military coup that ousted Thaksin.

A young soldier stationed in the troubled southern Thai region is on his annual leave to his village in northern Thailand. Upon his return, he finds out that his girlfriend has now settled down with a new Western lover. Blaming the situation on the military career he has chosen for himself, he starts to get angry with her and everyone around him. His sister reminds him that forgiveness is not as difficult as he imagines, but that it has to start from within.

This short movie that is maybe not a documentary is made by the filmmaker in memory of the extrajudicial killing of young Lahu activist Chaiyapoom PASAE. She knew the young Lahu boy through a workshop she gave some years before he was killed. A tribute to a young aspiring filmmaker and his Lahu language and culture.

Three Thai rock musicians from different generations recount their heydays in the local rock scene in the 1970s, 1990s, and 2010s, respectively