Sigfrid Monleón

Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.

After 15 years together, Ale and Alex choose an unconventional way to part ways: by hosting a party to celebrate their separation. Their unexpected decision leaves friends and family confused, forcing everyone to confront their own views on love, relationships, and new beginnings in this bittersweet, heartfelt story.

No description available.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.

A city man receives a call from the woman he loved and embarks on a clandestine journey to reunite with her in an outlaw community settled on the top of a mountain. Two successive guides take him to his destination: the reunion with a story that he has not been able to forget.

Barcelona, Spain, in the late sixties. Eugenio, a young jeweler who has fallen in love with Conchita, a singer, to the point of learning to play the guitar to accompany her in her performances, will first have to learn to overcome his stage fright.

Ramon, a twelve year old visit a bicycle shop to fix a puncture. There he meets an old man named Mario, a former amateur cyclist, and was fascinated by a bike that just built with parts from different models. The old man decides to give it away.

No description available.

Since 1989 and until its prohibition by the Generalitat in autumn 1992, there was a sector called textile airbrushing; These were small companies that painted with pneumatic guns. Working conditions in these industries were insufficient. Furthermore, the products were mixed and used without warning of their danger. The gases released seriously affected the lungs.

Documentary on the life of Juan Negrín.

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).

Cántico is a documentary on the life and poetry of Pablo García Baena, the leading exponent of the poetry movement formed around the journal of the same name. It begins as a diary of the making of the film, showing us the difficulties of the project. The poet, at the age of 94, though the project had come too late, with most of his colleagues already deceased. But once he opens the doors of his house; his photographs, possessions and books provide a sensory journey through the aesthetic of his poetry and his experience of language.