Leonardo Gudel
Writing
Known For

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Um Dia Qualquer

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Sem Volta

As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.
Raul: O Início, o Fim e o Meio

Didi dreams of improving his life and is trying to leave the community (the slum) where he grew up, when he discovers that he is indirectly working for Casimiro Alves. A Portuguese immigrant known as Dr. Ciro, famous boss of the illegal lottery in Rio. Didi's dream turns into a nightmare of violence, drug trafficking, and corruption in the marvelous city.
O Último Animal

Under the masks and fantasies of another day in Rio's suburbs, the intense reality of families and neighbors living in a neighborhood under the domain of the expansive militia is hidden.
Um Dia Qualquer

A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.
Brincante

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