Lazare Boghossian

A man struggles to support his family while remaining true to his ideals in this drama set in Europe during the 1930s. Orfeo Mancini and his wife Nella are a pair of working-class Italians who years ago swore allegiance to the Communist party. With Mussolini on the rise, Orfeo and Nella come to the conclusion that they are no longer welcome in their native land, and they decide to pull up stakes and move to America with their two children. As a result of some confusion en route, the Mancinis end up in Marseilles rather than the United States; needing work, Orfeo takes a job working as a manual laborer for a wealthy landowner. This requires a serious amount of pride-swallowing on Orfeo's part, since his new boss is an Italian expatriate who once courted Nella. The situation becomes all the more difficult for Orfeo when his employer throws his allegiances behind the growing fascist movement.

This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."

In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi driver to take a risky journey around the scarred region in search of her sister and her son.

French writer Luca Morandi was born in Italy. He is forty years old and finds himself at a crossroads in his life. He doesn't know where to turn: France, his adopted home where he was raised, or Italy, the country of his birth, perfect, wonderful and ideal, like a child’s dream.

Olivier, a very young provincial player, has become, within a few months, the icon of an unusual rugby team.

Going backstage and behind closed doors to chronicle the music of sex, drugs, and power struggles that were the fabric of the punk community. Adapted for stage by Mathieu Bauer. The punk era of Television, Richard Hell, Ramones, Iggy Pop...flirting with death, drowning in art, design and a new way of communicating.