Fernando Heitor

Mário was involved in a terrorist attack in Africa. Everyone thinks it was an accident but Mário knows it wasn’t. Now, hiden in Alentejo, he knows that sooner or later " they" will find him, yet he does not want to flee with a new identity until he finds his lover Alice. "They" find him and he has to escape with the help of Matilde. A fascinating woman who will now give him shelter and pretends to help him find Alice. Time is running out for Mário and Alice.

Father António is a priest by vocation, committed and generous, dear people of Vila Daires a quiet village of the north. But Father António is also a man, and Vila Daires is not as peaceful as it seems. The good intentions of the Father will not be sufficient to halt the worsening of the conflict. And when your fate intersects with Lena, the "black sheep" of the village, Father will also be forced to confront his own demons. Especially with those who never even thought that could exist.

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Set four years after the Portuguese revolution and the simultaneous loss of the Portuguese empire in Africa, the story concerns a director who sells guns to finance his play.

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

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Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.

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In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

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David has a wife and young daughter. In a few days he will be moving abroad with his family. The death of his grandfather obliges him to return to the village of his birth and a family he hasn’t seen in years. There he meets his cousin's wife Ana, who intrigues him, and this trip, which should have ended with the funeral, turns into a long stay.

A world of strong colours between documentary and fiction, centered on the life and work of modernist painter Amadeo de Souza Cardoso.

He and she don't know each other. They randomly meet at a gas station, while drifting. "Where are we going? Far away. Where is that? Near."

A sickly young girl is given away by her father to a childless couple. Twenty years later, she marries her adopted father.

The film of a performance of a selection of cabaret comedy sketches by Karl Valentin, with Jorge Silva Melo as stage director. The show was a complete success and has become almost legendary. Solveig Nordlund shot it, adding some more sketches that weren’t included on the show.

Returning to his homeland after many years away, Juvenal, an agricultural engineer with liberal ideas, finds himself caught up in the social unrest on the island of Madeira that preceded the 1974 revolution, which is condemned by his brother Álvaro, an embroidery manufacturer and staunch conservative. Exposed to the romantic schemes devised by Álvaro, Juvenal vigorously defends the exploited workers and is reunited with Elisabeth, the great love of his youth. Wounded while taking part in a popular demonstration that is violently suppressed by the police, he is sentenced to exile on the island of Sal. Elisabeth decides to accompany him, announcing that she is expecting his child... eternity!

After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.

Two sons dream of the return of their father who left fifteen years earlier, and all this time without any sign of life...

A summer film. About summers. Two seasons splitting it apart by half a dozen years, the youth years – time it takes its characters to realise they’re getting lonely. Hellish summer ends and we’re on a little fishing village, river-side, in Lisbon’s south bank: people make life-changing decisions.