Pelin Esmer

One day waves bring a wooden statue of Lenin to a small town by the Black Sea. The statue is erected in the town square by the Municipality with the hope that it would attract tourists to the town. As an official opening ceremony is planned with the participation of the Prime Minister and a Russian delegation, the statue gets stolen. Two police investigators from Ankara are assigned to find Lenin in twelve hours. Townspeople give an unexpected answer to the question «Where is Lenin?».

A chance meeting on a train in the Turkish countryside leads two women to a journey that shows them the importance of setting a path for one's life.

Famous film director Levent (45), the honorary guest of Soke Film Festival from Istanbul, is completely unaware of Aliye (25), a housekeeper at the hotel where he is staying. However, Aliye, who is trying to tailor a new life story for herself, knows Levent and his films very well. Aliye's intriguing story brings together these two distant people with completely different lives. Now, they have to choose between reality and fiction.

Mithat passionately collects newspapers in his Istanbul flat. The other tenants ridicule him and he lives a lonely life. As the building is to be renovated, Mithat develops a friendship with concierge Ali, another loner, who helps him save his collection. They involuntarily change each other’s fate.

Shakespeare's 'King Lear' travelling on the dusty and risky roads to the remotest forgotten villages in the mountains of Turkey where even drinking water can hardly reach, turns delicately into 'Queen Lear' in the hands of a peasant-women theatre group. In the early 2000s, a handful of peasant women from the mountains of southern Turkey formed a theater group, which later became the subject of the documentary, The Play. The women acted out their own life stories in the village, and the play changed their lives. Now, they take to the road with an adaptation of Shakespeare's King Lear, traveling the dusty, dangerous roads to the farthest-flung mountain villages where there isn't even running water. On the road, their lives merge with the world of King Lear and become bound up with "the good and the bad", "the young and the old", "the rich and the poor", "the honest and the dishonest" of the play.

Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.

Haunted by his dark past, a man takes a job as a fire warden in a remote tower in the wilderness, and is inexorably drawn towards a young woman with a terrible secret of her own.

Dream Workers is an intimate and daring journey into women's creativity, dreams, and unexpected confrontations by life through the intertwined stories of eight women filmmakers and a village women's theatre group from Turkey. The conditions of urban and cultural gentrification, pandemic, and isolation that initially threaten the film become part of the film. Listening to the creation stories of these women directors, including the director of the documentary, the audience experiences their different ways of living life and making art under the contemporary socio-cultural dynamics of Turkey.

When nine peasant women from a mountain village in southern Turkey decide to write and perform a play based on their life stories, aspects of their personalities emerge that they never knew existed. Esmer's documentary observes the creative stages leading up to the production of the play, and shows us how nine subtly but significantly different women emerge after its staging.

This is a documentary about a passionate collector. A man who has been collecting for 70 years, collecting everything one can imagine. A man who lives in his own house like a guest of his collections. A man who tries to freeze time, as if to hold on to present. In this documentary, you will follow this passionate collector through the vivid streets of Istanbul, among the crowd, in search of new collection items while trying to understand his perception of life and collection.