Luc Bourdon
Directing
Biography
The former Executive Director of the Festival international du nouveau cinéma et des nouveaux Médias de Montréal (FCMM), Luc Bourdon has made over fifty works which have been shown at festivals and on television both within Canada and abroad. In 1998, the Canada Council for the Arts awarded Bourdon the Bell Canada Prize in recognition of excellence in video art. Working in many areas, he juggles fiction and documentary, essay and experimentation, installation and reporting, as well as film production and broadcasting.
Known For
Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.
The Devil's Share
Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.
The Memories of Angels
Freely adapted from the eponymous novel, Une vie pour deux is inspired by real events, the discovery by the novelist's husband (director Jean-Pierre Ronfard) of the corpse of a young woman on a beach in Ireland in the late 1970s.
Une vie pour deux
In A Museum in the City, filmmaker Luc Bourdon invites us on a tour of the Montreal Museum of Fine Arts (MMFA). A backstage discovery of the institution and its 150-year history, the documentary reveals the remarkable dedication of its staff and explores the contemporary penchant for music in the world of art exhibitions.
A Museum In The City
Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?
The Path of the Ogre
Luc Bourdon, Marc Paradis and Simon B. Robert are curators for a selection of Canadian video to be presented within the context of the 13th Montréal International Festival of New Cinema and Video. This tape relates their experiences and research which occurs during their journey across Canada. This document is less a documentation of the trip than a logical suite to the questions raised in a previous work, Scheme vidéo. Focusing on the displacement of the three curators, the tape reflects their perceptions through the random capture of images. With Paul Wong, Grant Poier, Nida Home Doherty, Jerry Kissel, John Greyson and Collin Campbell.