
Kier-La Janisse
Directing
Biography
Kier-La Janisse (born 1972) is a Canadian film producer, programmer, founder of international horror school The Miskatonic Institute of Horror Studies, and author of A Violent Professional: The Films of Luciano Rossi and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Her feature directorial debut, the documentary Woodlands Dark and Days Bewitched: A History of Folk Horror, was released in 2021.
Known For

An in-depth look at the history and pop cultural significance of horror films.
Eli Roth's History of Horror

The story of the insane scandals related to the remake of “Island of Dr. Moreau” —originally a novel by H. G. Wells—, which was brought to the big screen in 1996. How director Richard Stanley spent four years developing the project just to find an abrupt end to his work while leading actor Marlon Brando pulled the strings in the shadows. Now for the first time, the living key players recount what really happened and why it all went so spectacularly wrong.
Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Woodlands Dark and Days Bewitched: A History of Folk Horror

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s

A detailed look at the history of horror anthology films.
Tales of the Uncanny

Is horror a man’s world? You might assume so – but you won’t be thinking that way for long once you investigate the vast contribution women have made to horror movies for well over a century. In 2020, award-winning Australian critic Alexandra Heller-Nicholas released the definitive book on the subject: 1000 Women in Horror, 1895–2018, an encyclopaedic work celebrating the many women – filmmakers, actors, producers and technicians – who have shaped the genre since the moment cinema’s light first flickered.
1000 Women in Horror

From Severin Films and Kier-La Janisse, a new series of chilling short form horror in the tradition of telling ghost stories for Christmas. From Severin Films and renowned author, producer, and filmmaker Kier-La Janisse comes The Haunted Season. Created by Janisse, one new episode of The Haunted Season will arrive on Shudder each December with chilling short form horror tales in the tradition of telling ghost stories for Christmas.
The Haunted Season

Celluloid Horror explores Kier-La Janisse's tireless crusade to bring obscure cult horror film to the masses through her independently run international film festival.
Celluloid Horror

Based on the short ghost story of the same name by Algernon Blackwood from 1909, The Occupant of the Room centers on a schoolteacher whose late-night arrival at a hotel in the Alps leads to a sleepless night full of uncanny occurrences.
The Occupant of the Room

Quinqui cinema encompassed a series of Spanish crime films with a unique national sensibility, as they reflected the times of the Franco dictatorship transition. Guided by academics Mery Cuesta and Tom Whittaker, this featurette explores this explosive subgenre.
Blood in the Streets: The Quinqui Film Phenomenon

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Tights Worship: Inside the Practices of The Rita
A feature-length documentary film adaptation of the 1994 non-fiction book of the same name, chronicling the history of Mondo cinema and the "death film".
Killing for Culture: The Birth of Atrocity Cinema

Documentary taking a look at Mondo movies.
The Naked Eye: Sex and the Mondo Film

In rural 17th-century England, a group of men gather to carry a coffin on the long walk to the local graveyard for burial. Much ancient folklore and superstition surround the pathway to the church, and several of the party are afraid to walk it after dark. Squire Marlow, the grieving father of the dead man, promises to double their wages if they agree to make the mysterious journey full of unexpected revelations.
To Fire You Come at Last
A short documentary on Daliah Lavi’s life and career, with an emphasis on the film Il Demonio.
The Kid from a Kibbutz: Daliah Lavi and the Road to Il Demonio

"Parasite Memories" is a brand new retrospective piece on the film produced by High Rising Productions with lively contribution from effects artist Joe Blasco, actresses Lynn Lowry and Barbara Steele, actor Allan Kolman, and Canadian critic Kier La-Janisse.
Parasite Memories: The Making of 'Shivers'

Maison Margiela 'Artisanal' 2021 Collection - A Folk Horror Tale - a film based on an original concept by John Galliano and directed by Olivier Dahan.
A Folk Horror Tale

A featurette looking back at the early years of the celebrated Canadian production company, including interviews with author Kier-La Janisse and special make-up artist Joe Blasco.
Raw, Rough and Rabid: The Lacerating Legacy of Cinépix

When Peter Watkins’ banned nuclear war masterpiece "The War Game" reached Toronto in 1967, it found an unlikely home at Cinecity, a new cinema determined to challenge audiences. Drawing on archival research and eyewitness accounts, this documentary explores the film’s enduring impact and the role Cinecity played in shaping Canadian film culture.
The War Game at Cinecity

A windswept ghost story set on England's southeastern coast.