Vivian Prescott

Two creative bums invade a high society gathering by pretending to be rich.

Charlie advertises for a wife and arranges to meet widow Madeline Blue at a park gate, both wearing white roses. At the same time, the queen of the anarchists plans to meet a recruit under the same signal. Mistaken for the applicant, Charlie is dragged into the anarchists’ den and ordered to blow up a judge. Meanwhile, Madeline and her uncle are wrongly arrested as bomb-throwers when her true date proves to be a detective. After comic misadventures, Charlie escapes, reunites with Madeline, and sparks a romance.

Located in the south of France, a woman, who, after the death of her husband, is forced to assume the management of the Gambling Casino, of which he was proprietor. She places her daughter in a convent and keeps her in ignorance of her occupation. Twelve years later the mother becomes engaged to a young nobleman. The young man, however, by accident, meets the daughter, now seventeen years old, and falls in love with her, not knowing her identity. The mother realizing the truth of the situation, sacrifices her own love for the young man for her daughter's happiness.

A young woman who is engaged to a millionaire she doesn't love meets and falls in love with a rough sailor.

Gertrude chooses Jim over Jack, which makes Jack very jealous. Later Jim dies, and Jack marries Gertrude. He finds himself once again very jealous of the late Lucky Jim.

Mary is the youngest of three sisters and of an impressionable nature. She and her sister Florence are living at home with their widowed mother, while Adele travels on the road with a theatrical company. Adele returns from the road at the end of her season, and is not home long before she realizes that her place is with her mother and sisters. She finds that they neglect their poor old mother, running off to dancing parties every night and associating with the wrong type of people. Adele, who is older and more experienced, decides to stay and watch over them.

A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

Harry wants to marry Dolly, a showgirl, but only on the condition that she can win over his disapproving father. The father is so charmed when he meets Dolly that he wants to win her for himself.

A young maiden is seduced by a charming traveling peddler who persuades her to steal from her host family in order to repay his gambling debts.

Two sisters, Nellie and Florence, support themselves and their mother by sewing. A man accompanying a wealthy client tempts first Nellie and then Florence to leave with him. Nellie rejects him, but Florence goes to his decadent apartment and becomes his mistress. Nellie marries a diligent carpenter and raises a growing family. Eventually the Tempter tosses Florence out, and she dies alone and impoverished.

The Parson and his friend Pete, a worthless inebriate of the village, in a drunken sleep by the roadside. His cure has been tried often, but in vain. The Parson's friend suggests a novel scheme, that of taking him to his home, waking him there and make him believe he is in paradise; then feeding him wine until he is asleep again, placing him back in the same place in the road. The scheme worked to perfection and it looks as if the village saloon will get no more of Pete's money for drink.

Set in London (but filmed in New Jersey), the story endeavors to prove that man's greatest enemy is liquor. When elderly tosspot John Warriner is shot for trespassing, Warriner's son holds property owner Sir Arthur Stanton. Thus begins a bitter and deadly feud between the Warriner and Stanton clans, fueled by rotgut booze.

An elderly actor who lives with his wife and daughter is dismissed from his acting job because he is considered too old. On his way home from the theatre he panics at the thought of telling his family the bad news and decides to disguise himself as a beggar. His daughter's beau accidentally gives him a five dollar gold piece, thinking that it was a smaller coin. A chase ensues with a policeman, the daughter, and her beau in hot pursuit. When caught he is recognized by his shocked daughter, but is quickly forgiven by all. Meanwhile the actor hired to replace him has already been fired and a messenger is dispatched to rehire the Old Actor to the delight of his wife, daughter, and fellow actors.

The manicure lady spurns the barber and dates a rich cad instead.

Before Tom departs for the city, he becomes engaged to Kate. She gives him half of her broken pendant cross, with the agreement that either can end the engagement by sending his or her half to the other. In a city boarding house, Tom is vamped by a flirtatious manicurist who learns of the agreement and sends Tom half a cross, pretending it is from Kate. Tom realizes he has been tricked and returns to the country and his fiancée.

Amos Bentley was up against it in more senses than one. Times were so hard with him that he had to part with the furniture of his little apartment in order to pay his debts. However, things were inclined to take a better turn for him. He was invited to be a guest of some friends of his. And between him and the daughter of the family some sort of heart interest was supposed to exist. Disinclined to accept the invitation at first, he yielded to the persuasions of his friend, the brother of the girl, and made his way to the host's house. Unfortunately his nether garment gave way in a somewhat conspicuous place and in his attempts to conceal the tear while the evening party was in progress, poor Amos suffered a great deal of torture. Finally, he was shown into the room of his probable fiancée. And while in the act of searching for a needle and thread, was discovered by her father, who had not yet made the acquaintance of Amos.

A Husband thinks the grass is greener on the other side of the fence. His wife shows him its not.

Mr. Hobb's secretary and Mrs. Hobb's maid are sweethearts, but Mr. Hobbs has a tender feeling for his wife's maid, while Mrs. Hobbs forms a liking for Hobbs' secretary. Both are fired for an offense of which they are quite innocent, and while strolling in the park taking pictures with a Kodak, they hit upon a scheme which secures for them a reinstatement in their former positions, but not for long.

"Fine feathers make fine birds", and handsome gowns make handsome women. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.

Between the wealth of the aristocrat and the fortune of the successful tradesman there is a great social difference, which is emphasized in this drama.