Gyula Maár

Consistent of only two long shots, three witches predict that Macbeth will ascend to the throne of Scotland. To fulfill this prophecy, Lady Macbeth convinces her husband to murder King Duncan, who has come to spend the night at their home. This crime plunges the new ruler into a macabre spiral that will lead him to sink into guilt and madness.

Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.

Janos Flandera (Frigyes Funtek) is a student who is kept by an older woman in this depressing drama. When he applies to a prestigious school in Moscow, he is turned down because he is a gigolo. Not only is his scholarship request denied, he is sentenced to a year in prison at hard labor. Janos abandons the jealous older woman who helped deny his entrance to the school. Punished after defending a political prisoner, Janos takes solace in love affairs, but his union with the crippled daughter of a prominent political official puts his life in danger.

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The main character of the story which takes place in the twenties in Budapest is the poet Dr. Rácz György, who returns after ten years of absence. In a café he meets his former friend Lajos, who has just broken up with his lover, Márta, because of the wife of professor Büchler. The transiently formed, rootless Rácz gets entangled into the sophisticated, complicated love affairs of bored or tired ladies.

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During the Rákóczi War of Independence, noblewoman Julianna Géczy becomes caught between warring factions as the city of Lőcse falls under siege.

In the closed world of a Catholic monastery shortly after World War II the post-war insecurity exacerbates the walls. A new world order has arrived. The monastic life begins to break down as some of the monks start to morally decline.

Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.

After her divorce leaves her feeling depressed and aimless, a disciplined forty-year-old woman named Teréz wanders through Budapest while grappling with a profound sense of isolation. She visits former lovers and estranged acquaintances in a desperate attempt to find a meaningful connection and reclaim the stability she has lost.

A restless drifter from Istrati’s “Codin” crosses paths in Brăila with a fragile, enigmatic woman reminiscent of “Chira Chiralina“ in interwar Romania.

The film, paying a tribute to the memory of Endre Ságvári, a Communist hero, goes back to the summer of 1944. Through Colonel Gombos-Götz who has recognised that the Nazi-Germans will be ultimately defeated, Ságvári, the leader of the Young Communist Workers' Association asks Csiszár, the commander of the barracks in Andrássy street to provide him with guns to help release the Communist prisoners in Tata.

In a castle, the General and Bálint gathered boys for a strange training. They want to select the most capable of them for the big operation. The choice falls on the Son, who must pass the final test before his mission. He will be beaten, but he cannot reveal the name of his handler. The Boy is not broken during the beating, but afterwards he falls into apathy, refusing to leave his room. Teresa talks to him emotionally, threateningly, logically - but to no avail. When she tells him that he will not get up, he gives her a cruel order...

Live concert at Madarasi Hargita

A Béla Vajda Cartoon

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János Pilinszky explains his thoughts on the mechanism of thinking, seemingly banal things, faith, Simone Weil, and the scandal of the twentieth century.

An interview with the Hungarian poet, János Pilinszky.