Vladimir Gardin

Don Cossack Stepan Razin boyars vowed revenge for his friends tortured torture. As head of the rebellious peasants, he becomes the leader of the whole army. With all the Russian land flock to him humiliated and oskorblennye.Tsar Alexey concerned the growing power Ataman. Church anathematizes Stepan collected in the march on Moscow. Regular king's troops manage to stop rebel forces near the walls Simbirska.Spodvizhniki perish, and the chieftain captured. Severe torture did not break the will of Razin.

Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.

1773. The film tells the story of one of the most devastating events in the history of the Russian Empire—the Cossack uprising led by Emelyan Pugachev, which escalated into a civil war for the imperial throne, with Pugachev proclaiming himself Peter III.

Silent feature film by Olga Preobrazhenskaya and Vladimir Gardin based on Pushkin’s story of the same name. Considered lost. Directorial debut of Olga Preobrazhenskaya.

Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

The eve of the 1905 Russian revolution was unquiet at the Skrobotova and Bardin factory. In response to the fair demand of the workers to dismiss the cruel and rude master, the masters close the factory and call in the troops. They shoot of one of the workers, who failed to restrain a rush of hatred towards the owners, ending Skrobotov's life. Gendarmes arrive at the factory. They succeed in uncovering the social democratic organization in the factory. The arrested workers oppose hysterical cruelty of gendarmes with calm, confident courage.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

The Greek teacher Belikov, who works in a rural gymnasium, loved to keep things in cases, was afraid of everything and lived himself, as if in a case, on the principle: “no matter what happens”. By this principle, he literally "terrorized" the gymnasium and the villagers. Hope appeared when Varenka arrived in the village - “not a girl, but marmalade”, although she was already aged, and “did not mind being married, even if only to a teacher of the Greek language”.

The struggle of Belarusian peasants against the oppression of Polish lords during the reign of Paul I.

Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

The Kreutzer Sonata is based on a novella by Leo Tolstoy, named after Beethoven's Kreutzer Sonata. The work is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.

Biographical film "Youth of the poet", dedicated to Pushkin-Lyceum student. At the 1937 world exhibition in Paris, the film was awarded a gold medal. The Director managed to accurately recreate the historic era, to convey the atmosphere of the Tsarskoye Selo Lyceum in the years of the formation of the poetic genius of Pushkin.

The last and only surviving silent film by director and actor Yevgeny Chervyakov. The film adaptation is distinguished by the accuracy of the psychological characteristics of the numerous characters (Chervyakov himself played the episodic role of an officer magnificently), the detail of everyday sketches of life in Germany and Russia, and the conveyance of the atmosphere of the events of the First World War and the Civil War. Parts 3 and 5 of the film have been lost.

A graduate of a choreographic school is looking for a new style for her part in the ballet "Sleeping Beauty". Alexei, a conservatory student, falls in love with the young ballerina.

About the struggle of the red Army and the revolutionary workers of Petrograd against the white guards in 1919....

Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.