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Werner Schmiedel

Writing

Known For

Sugarbaby
5.5

A plump Munich mortuary worker tracks down and seduces a married subway conductor.

Sugarbaby

1985
Decoder
6.2

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Decoder

1984
The Other Eye
7.0

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

The Other Eye

1991
The Last Revenge
7.1

The eventful tale of Worldly-Wise, an adventurer who enters the service of an aging ruler in order to seek for him a successor. Unable to find a worthy heir, Worldly-Wise succumbs to the temptation to seize power himself.

The Last Revenge

1982
Die Kunst des Erinnerns – Simon Wiesenthal
10.0

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

Die Kunst des Erinnerns – Simon Wiesenthal

1994
No image
N/A

An experimental color film that uses imaginative video image overlays to present fictional actors from public spheres in a playful experiential context. They come from advertising billboards, theater and performance, and television. The extreme colors are created solely by the peculiarity and materiality of the video material used.

Leben nicht als Film vor Augen

1983