Ray Gillon

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

When a rogue priest discovers the exact date the Antichrist will be born, he enlists a Death Metal record store clerk and a cheesy TV psychic for an urban spree of gore, sacrilege and twisted humor to prevent the Apocalypse.

She's sexy, shameless and loves taking people to their limit. She's a dangerous young woman who dreams about a jaguar that licks her naked body and sleeps by her side. Her past is bathed in blood and weird passions. Now she's met the man of her wildest dreams. He's dark, tough and mysterious. He likes robbing banks, trafficking in corpses and spicing it all with voodoo rituals. Together, the duo sets off toward Mexico destined to become the most feared outlaws in the continent.

Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.

Tarzan returns to his homeland of Africa to save his home from destruction.

A medieval alchemist (Klaus Kinski), knight (Harvey Keitel) and priest (Fernando Rey) mistake a flying-saucer alien for a dragon.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.

Spain, 1938, during the Spanish Civil War. Carol, a 12-year-old Spanish-American girl, arrives in her mother's hometown and transforms the secretive family environment. Her innocence and rebellious nature drive her at first to reject a world that is at once foreign and completely new.

On the basis of the hardy perennial "boss-assistant" relation, "The Mortal Fortune" depicts the passion of worldly existence. The anonymous hero of the story, to which the spectator is introduced, attempts at freeing himself from his enslaved life. He finally has to realize the transience of the creature man and whithdraws from the constraints of worldly existence.

In the 17th century, a Bulgarian Christian region is selected by the Ottoman rulers to serve as an example of conversion to Islam. A Janissary who was kidnapped from the village as a boy is sent to force the reluctant inhabitants to convert. The Turkish governor seeks a peaceful solution, but ultimately torture, violence, and rebellion break out.