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Irma Córdoba

Irma Córdoba

Acting

Known For

Alta comedia
6.0

No description available.

Alta comedia

1970
Amor prohibido
8.0

No description available.

Amor prohibido

1986
Last Refuge
8.3

Albareda does not doubt to betray her lover running away after denouncing him.

Last Refuge

1941
Bárbara
8.5

Barbara is an Italian actress, superstar, who comes to Argentina to star in her own musical. She meets a photographer named Mauro and falls in love with him; but Mauro keeps a secret that she will soon discover.

Bárbara

1980
No image
10.0

No description available.

Yolanda Luján

1984
Me gusta esa chica
5.5

The son of a renowned surgeon wants to be a singer and falls in love with a bohemian young woman.

Me gusta esa chica

1973
Las locas del conventillo
7.3

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Las locas del conventillo

1966
La sonrisa de mamá
6.5

Angelica Zamora is a famous actress and singer, ignored by her three children Julio, Clotilde and Felipe. After learning of a serious illness that leaves her little time to live, her children and their friends intend to make her spend her best moments without being aware of the disease she suffers. Julio will even propose to someone to please his mother.

La sonrisa de mamá

1972
Eva Perón
6.0

Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.

Eva Perón

1996
Three Argentines in Paris
7.0

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

Three Argentines in Paris

1938
El caballo del pueblo
7.5

Unscrupulous businessman is plotting a hostile takeover, looking for ways to fix a horse-race, and scheming to force a failed businessman to marry his daughter to him to avoid financial ruin.

El caballo del pueblo

1935
Locos de verano
6.5

The vicissitudes of the members of a Buenos Aires family facing their economic bankruptcy and the attitude of each one of them in the emergency.

Locos de verano

1942
El mundo contra mí
10.0

An overweight teenager tells a video camera that she will commit suicide in three days unless something emotional happens to her first.

El mundo contra mí

1996
A Light in the Window
7.3

A woman and her two companions get lost in a storm and end up in a creepy house where a mad doctor is conducting experiments in the basement.

A Light in the Window

1942
Mi novia es un fantasma
7.6

A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.

Mi novia es un fantasma

1944
No image
8.0

A peasant must emigrate to Buenos Aires after having lost his property due to neglecting his work.

El forastero

1937
El festín de Satanás
10.0

With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.

El festín de Satanás

1958
Cuatro corazones
7.0

The perverse owner of a cabaret gets redemption by sacrificing himself for the happiness of others.

Cuatro corazones

1939
Noches de Buenos Aires
10.0

Various love and crime stories take place in the context of a theater, between tango singers, musicians and dancers.

Noches de Buenos Aires

1935
Deshojando margaritas
7.0

Workaholic kindustrial tycoon is kidnapped and learns the value of a more leisurely lifestyle.

Deshojando margaritas

1946