Acting
On September 1, 1923, an unprecedented earthquake hit the Kanto region. The streets are filled with victims, and rumors are circulating around. The military seized the opportunity to round up and kill many socialists, anarchists, and Koreans, culminating in the arrest and murder of Sakae Osugi. His comrades and students are outraged by this atrocity. The young man Furukawa also becomes stronger in his determination to overthrow the military...
A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.
A historical film that portrays the fervent and violent actions of young Army and Navy officers, such as the February 26 and May 15 incidents, in a semi-documentary style.
Rumi (Yoko Mihara) and Emi (Masayo Banri) are sisters who dance nightly at the Blue Moon cabaret, which happens be the headquarters of a drug ring. Offstage, Rumi captivates the gang boss, Iwahara (Shuntaro Emi); while Emi attracts the portly club manager, Yajima (Saburo Sawai). Meanwhile their older brother Shinichi (Ryo Kuromaru), a seaman, is unwittingly assisting Iwahara with his drug running. When Shinichi’s ship is sea-jacked by another drug gang, an outraged Iwahara suspects him of treachery and has him beaten and confined in a dungeon-like basement. Rumi and Emi try to free him, but a gang hitman discovers them - and their attempt ends in failure. Now under suspicion themselves, the girls try to escape, but luck goes against them and they are taken to an island where Iwahara and his crew plan to ambush the rival gang.
A spectacular comedy with a star-studded cast that depicts unusual trials and unexpected verdicts regarding the five deadly sins: the crime of beauty, the crime of a terrifying wife, the crime of taking the wrong course, the crime of seducing, and the crime of killing with laughter.
Japanese war film.
This horror tale adapts the Japanese legend about a man who faces the consequences of betraying his wife in order to acquire wealth and power.
Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.
The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?
The fifth volume of the Ningyo Sana Torimonocho series. Based on the original work by Seishi Yokomizo, the film was adapted by Mitsuo Kaneda (The Nude Model Murder Case), directed by Tatsuo Yamada, who worked on The Golden Bugyo, and shot by Kikuzo Kawasaki. Keiko Hibino, Shigeru Amachi, Tomisaburo Wakayama
A work with the motif of a legend that remains in the mountain villages of Shinshu and Hida. A white snake helped by a young man transfers to a girl's body, longing for him and burning in an endless passion.
In the first year of Chōroku, Satomi Yoshimi, lord of Takita Castle in Awa, faces defeat by neighboring lord Anzai Kagesuren. As the castle nears collapse, Anzai demands a seed from Yoshimi’s lineage, specifically from his wife, Fushihime. Outraged but facing annihilation, Yoshimi gives Fushihime a string of eight ancestral beads and urges her to escape to loyal retainer Inuda Kobungo. Instead, she goes alone to Anzai, followed by her dog, Hachibo. In a twist, Hachibo attacks and kills Anzai, allowing Fushihime to escape. She later reveals that the beads protected her and predicts that eight warriors bearing these beads will someday defend the Satomi family before passing away. Yoshimi finds one of the beads in Inuzuka Nobuno’s armor and convinces her to serve him. Meanwhile, Baka Daiki, plotting to overthrow Satomi, imprisons Inukawa Shosuke, who tries to intervene, under the watch of vassal Aminen Saomojiro.
On a Sunday morning, young dentist Toshio Ezaki wakes up with a hangover, on a bench in his office. He finds a poisoned woman in a green-striped Western-style outfit lying in his exam room. He must retrace his blurry steps of the night before, and navigate a web of embezzlement, murder, framings, and false identities in Tokyo's Ginza district, to discover the identity of the dead woman and why she is there—and hopefully prove his innocence, before his wedding in three days...
Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...
Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.
Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.
Fictionalized retelling of the life of a Geisha poisoner.
1961 Japanese movie
No description available.
