
Amir Muhammad
Directing
Biography
Amir Muhammad is a Malaysian writer and independent filmmaker
Known For

A documentary crew and a team of amateur ghost hunters go to investigate a haunted hotel. How many will be left alive?
Irul: Ghost Hotel

Shahnon Ahmad's novel Terdedah (1965) has not been reprinted in decades. This rambunctious satire is about a young widow with two lovers. Why hasn't the book been seen for so long? Did it "dedah" (reveal or expose) too much? Amir Muhammad asks seven artists how they would design a cover of Terdedah if it were reprinted today. Through Zoom, they discuss how the novel can be presented visually. In an unfortunate twist, one of the artists disappeared after agreeing. So this artist is replaced by ChatGPT. The six human artists are Anderson Ee, Fahmi Mustaffa, Hannah, Mark Lee See Teck, Syuq Tone and Yante Ismail.
Terdedah: 7 Artists in Search of a Cover

Cut off from civilisation, a single mother puts her children on high alert when they bring home a young girl caked in clay. She tells of spirits and spirit hunters, but these are not mere superstitions. As more strangers show up on her doorstep, she quickly finds another reason to fear the forest.
Roh

Susuk is a 2008 Malaysian horror film which was released on August 7, 2008 in Malaysia. The film is directed by Amir Muhammad and Naeim Ghalili. The story concerns about Soraya, who uses the forbidden practice of susuk in order to be famous.
Susuk

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.
15MALAYSIA

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.
Call If You Need Me

The world is overrun by mind-controlling aliens called the Sky Beasts. Six people hide out in an abandoned building. But when one of them is exposed to the aliens, paranoia among them proves to be just as deadly as any threat from the sky.
The Screaming Sky

Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.
Return to Nostalgia

A leisurely picnic takes a tragic turn when Ramlah sees a mysterious figure abducts her son and disappears. Shortly after, she begins encountering unexplained hauntings but her husband doesn`t believe her. But time and time again, clues lead her to believe that her son is close by and still alive, as she races against time to find him before it`s too late.
Rahsia

Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in her love and does all she can to keep John.
Love Conquers All

Set in a dystopian Malaysia in which different races are forbidden to mix. A Chinese family moves into their new house to find a scared Malay girl still hiding in it. Should they get rid of her or try to smuggle her back to safety?
Pendatang
No description available.
Sabung

A portrait of village life in South Thailand, home of retired Malay-Muslim members of the communist party of neighboring Malaysia. Recollections of the decades-long guerrilla war are interspersed with a Thai radio soap opera.
Village People Radio Show

Ikram brings home his classmates to feed Julia, his blood-sucking stepmum. When Julia starts flirting with a classmate Ikram has been secretly admiring, he flies into a rage of jealousy.
Julia’s Coffee

A travel documentary essay, interspersed with specially composed songs, about the early life and legacy of Chin Peng, exiled leader of the banned Communist Party of Malaya.
The Last Communist

Short film about a murderess.
6horts #3: Mona

Short about a prison.
6horts #5: Kamunting

Against the bustling backdrop of Kuala Lumpur’s Chinatown, a Malay-Muslim narrator reminisces about a teenage relationship between himself and an ethnic Chinese classmate. Pangyau , the Cantonese word for friend, is not just the story of a close friendship, but a prism through which the writer gets to examine his feelings about the the ways in which race and religion have been used in the national socio-political discourse.
6horts #6: Pangyau

Documentary about political turmoil in Malaysia.
Malaysian Gods

Lips to Lips is an urban comedy featuring four intertwined stories about desire, all set during one day in Kuala Lumpur. A suicidal young man mourns the death of his stepmother who had come into fatal contact with an apple. A bubbly radio DJ catches her fiancé in an unexpected sexual encounter on the eve of their wedding night. A dapper restaurant owner falls for his doppelganger. A bookshop clerk resorts to black magic to get the attention of a girl with a fetish for cookbooks. Lips to Lips is Malaysian filmmaker Amir Muhammad’s directorial debut. It is Malaysia’s first independent digital feature film that marked the beginning of the Malaysian independent film movement. It paved the way for the Malaysian New Wave’s unique brand of DV (digital video) cinema, whose leading figures have developed a niche of dedicated film audiences.