Fumiko Katsuragi

A wealthy family will not allow the military to grow crops on their fields due to their superstitious beliefs about their son's illness.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car.

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When a young man inherits his father's lucrative business, he cheats the system to set up three of his college friends with jobs.

The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.

An actress returns to Tokyo after a successful stint in Hollywood to reclaim—with the help of her gangster brother—the daughter she abandoned years before.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

Japanese war movie.

Domestic comedy involving a strong wife and a "henpecked" husband taking place in a family-run judo school.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.

Japanese propaganda film about the Normanton Incident.

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

Young, timid bowmaster Kazuma seeks to beat the archery record set by Hoshino Kanzaemon, a mysterious figure who, it is rumoured, drove the previous champion—Kazuma’s father—to suicide. Possessed of much raw talent, Kazuma is very much a coward, holing up in an inn and generally avoiding confrontation. Despite his best attempts to remain clandestine, the locals know of Kazuma’s purpose and an attempt is made on his life. He's saved by Karatsu Kanbei, a samurai who offers to help Kazuma hone his archery skills, though it becomes clear that this apparently selfless stranger has potentially shady ulterior motives.

Based on the Sakatayama double suicide

Eiko is an innocent young lady born into a wealthy family with nothing to offer. She was good at singing, and lived her life playing around with her cronies, organizing music concerts and so on. However, things change when her father's business fails and she was suddenly thrown out into the world without any foundation. Eiko has no one to support her after she loses her social status, and her only tutor, Shinnosuke (Natsukawa Daijiro) was the only one who was sincere. Eiko is a stickler for using everything she can get her hands on, and she quickly moves into Shinnosuke's house.

Kinuyo is a daughter of rice cracker shop in downtown. She fell in love with her sister's boyfriend. It is a story whose theme is warm human relationships in a town of customs and manners.

A young student of traditional dance falls in love with a handsome young man who visits the dance school in order to take photographs.

Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.