Kingsley Amis

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

Two partisan views of a controversial issue.

Stanley Duke's life is thrown into chaos when his son is diagnosed with schizophrenia, and his home becomes a battleground for his past and present wives and other women.

Fresh off the Harwich Ferry from the continent, unemployed medieval historian Jim Dixon goes to Swinging London in search of a life and a job.

In 1959, 20-year-old Jenny Bunn moves from her North England family home to a London suburb to teach primary school. Jenny is a traditional Northern working-class girl whose striking good looks are in sharp contrast to her prosaic upbringing, and to her strong belief that a girl should preserve her virginity until her wedding night. Due of her attractiveness, Jenny's views raise conflicts.

An alcoholic pub landlord has visions of a 17th-century doctor of the occult, beginning a monumental clash between good and evil. Adapted from the novel by Kingsley Amis.

A traditional rural English Christmas, reluctantly spent with the predominantly geriatric family (who all have their quirks and eccentricities) ends in tragedy after a practical joke goes horribly wrong.

An adaptation of the novel by Kingsley Amis about a group of university friends reunited in retirement. Alun Weaver has found success as a celebrated London-based writer. After returning home to Wales with his alluring wife Rhiannon he reunites with old friends who chose to remain in the valleys. Long dormant romance are rekindled and rivalries resurrected in this turbulent story of ageing, friendship, lust, nostalgia and nationalism.

Young Jenny heads to the South of England to start a new career as a school teacher. Even before she has had a chance to settle in she meets Patrick, one of the local "lads". Within a short time she has her hands full when a number of the local boys take a liking to her. But who will be the lucky one who wins her affections?

John Lewis is bored of his job and his wife. Then Liz, wife of a local councillor, sets her sights on him. But this is risky stuff in a Welsh valleys town - if he and Liz ever manage to consummate their affair, that is.

Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

While Holmes is away recuperating, Watson is left to help a damsel in distress.

A rollicking adaptation of Kingsley Amis's first novel, Lucky Jim stars Stephen Tompkinson as Jim Dixon, a luckless lecturer at a provincial British university, trying to make a splash with his pompous boss, Professor Neddy Welch (Robert Hardy). Jim is also trying to make it with the woman of his dreams, Christine Callaghan (Keeley Hawes, Othello and Wives and Daughters), while simultaneously being pursued by the woman of his nightmares, fellow lecturer Margaret Peel (Helen McCrory, Anna Karenina). One (of many) complications is that Christine is the girlfriend of Professor Welch's egotistical artist son, Bertrand. Another is that Margaret keeps attempting suicide to get Jim's attention. But despite his misadventures, Jim keeps his eyes on the prize: a leg up on the ladder to a professorship in medieval history.

A horror novelist and his wife go to a house in the country for a short vacation. However, they soon find that one of his novels is coming true when they are haunted by the ghost of a drowned ferryman.

Comedy, 1974 (Czech Republic) : The movie takes place in England. A group of married middle-aged gentlemen have founded a pretense amateur Egyptology society to maintain some degree of freedom from their wives. The elaborate trick gradually escalates into more and more tangled web of lies and tricks, until they have no option but to disband the society for good.

No description available.

Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood, Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis, film director John Boorman, composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.

TV play adapted from humorous novel by Kingsley Amis (1954).