Bakary Sangaré

Hybrid docuseries offering an expansive exploration of the exploitative and genocidal aspects of European colonialism, from America to Africa, and its impact on society today.

Newlyweds Shane and June arrive in Paris for their honeymoon. In the process of trying to find a cure for his strange, bloodthirsty disease, Shane stumbles upon the story of a doctor and his flesh eating wife.

The Mahabharata is a 1989 film version of the Indian epic based on the history of India, Mahabharata directed by Peter Brook. Brook's original 1985 stage play was 9 hours long, and toured around the world for four years. In 1989, it was reduced to under 6 hours for television. Later it was also reduced to about 3 hours for theatrical and DVD release. The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière and Marie-Hélène Estienne. For the casting an international selection of actors was intentionally chosen, to show that the nature of the Indian epic is the story of all humanity.

Paris - One night. A woman and a man meet in a restaurant. She is beautiful. He falls for her. She is shy, he is bewitched. He talks, she is cautious. He tries, she avoids. She hesitates, he insists. An intense relationship starts then. During the night, masks fall off and the seduction game gives in to sincere feelings. Will this love last over a night?

David, who gets by doing odd jobs, meets Léna, who has just moved up to Paris, and falls in love. But soon after, his life is brutally interrupted by the sudden death of his sister. Beyond the shock, and the pain, David now finds himself alone with his young niece Amanda to care for.

Marianne leaves Abel for Paul, his best friend and the father of her unborn child. Eight years later, Paul dies and Marianne returns to Abel. However, things have changed for the both of them and feelings of jealousy surround their new relationship.

Two seemingly happily married French couples are forced to contend with a number of issues.

Billie and Louis have the good fortune of loving each other passionately and of having a family. But then one day terrible news turns their existence and that of their friends' upside down. Marie, a famous actress who is Billie's friend and confidant, redoubles her determination to give life, while Alice, her nurse, fighting for freedom, maintains that life 'is here and now and in the moment.' A film about love, hope, and the conviction that the force of life, despite the toughest tests, will always gain the upper hand.

One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook. This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, passion and vision of glory. Briefly, the Mahabharata is a tale of two rival sets of brothers, cousins to eachother, each born into royalty and with divinely guided paths in life. The result, however, is a great war, death, destruction - a vast epic.

Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After the owner has sold the "Aldébaran", only the Lebanese captain Aziz, the Greek Diamantis and the Turk Nelim are stuck on the boat for a lack of prospects. Aziz doesn't want to return to his wife, Diamantis tries to find a girl he left at the age of 20 and Nelim, young and foolish, just wants to have fun...

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.

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A troupe of actors rehearse a play. In the play-within-the-film, an ambitious son and his distant father fight for control of an armaments firm and are pushed to eventual destruction by dangerous outside forces and traitorous aides.

Based on Lord Byron's poem "Mazeppa" from 1819 and revolving around the painter Théodore Géticault, famous horse trainer and spectacle Bartabas takes art to another level.

Small, hunchbacked and unlucky, Zadoc dreams of finding love. Chased from his village, he is propelled towards the unknown.

Washed-up actor Franky Pastor and his kleptomaniac, ex-rocker manager Arsene steal a car and embark on a “last-chance” road trip to the Polaris Film Festival at the North Pole. There Arsene insists they’ll meet a famous director who can revive Franky’s career.

In the Bellinsky family: there is Solomon the father, 80 years old, brimming with life. He is fighting not to be buried too quickly, between tap dance lessons under the high patronage of Fred Astaire and the search for a companion... The mother, Geneviève, dreams of only one thing: quietly continuing her infantilisation, with her household help, protector and guardian angel, Mr Mootoousamy.

An adaptation of William Shakespeare's play "Romeo and Juliet", staged by Éric Ruf.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.