Kristýna Badinková Nováková
Acting
Biography
Kristýna Badinková Nováková, née Kristýna Nováková (* April 24, 1983, Prague, Czechoslovakia) is a Czech film actress. Her most famous role is Jindřiška from the film Pelíšky. She graduated from a specialized secondary school in the field of tourism and DAMU, Department of Alternative and Puppet Theater. From 1994 to 1998 she was a member of the White Network Theater Ensemble, since 2005 she has been organizing her own theater projects (in 2005 she premiered the author's performance ADORE in the NoD theater space in Prague). She became known to the audience thanks to the film Education of Girls in the Czech Republic, where she drew attention to herself in the role of the schoolgirl Agatha. There, she was also noticed by director Jan Hřebejk, who invited her to an audition for the role of Jindřiška in the film Pelíšky. She also starred in the TV series Pool, Surgery in the Rose Garden, Airport and in the films Ro (c) to Subversives, Catch the Doctor, Children of the Night, etc. She also appeared in the documentary My House, My Castle by director Pavel Fojtík and also starred in How we shot with Tom directed by Moris Issa - the winning film at the CIAK Junior international show, where short films made according to children's themes compete. He also performs in the theater, eg in Studio Two Women's Locker Room, Healthy Sick, Graduate. She was married to director Jaroslav Fuit. On November 25, 2009, their daughter Rozárie was born and in 2013 their daughter Mariana. In 2016, she divorced him. In 2018, she married for the second time.
Known For
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We love Czechia
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Letiště
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Stopy života
A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.
OKTOPUS
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Polabí
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I, Mattoni
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Život a doba soudce A. K.
The film adaptation of the novel of the same by Michal Viewegh. The hero of the novel is a primary school teacher with a successful writing career ahead of him who accepts well-paid employment from an entrepreneur who entrusts him with the task of making his unusual daughter "see sense".
Bringing Up Girls in Bohemia
Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.
Gerta Schnirch
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Temný Kraj
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Ratolesti
Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.
Cosy Dens
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Třídní schůzka
Jiří Markovic thought capturing Ladislav Hojer would be the defining case of his career. He was wrong. As communist Czechoslovakia prepares for the 1985 Spartakiad, an unpredictable serial killer terrorizes Prague. Under intense pressure from state authorities, Markovic and his team race against time to stop a murderer the entire country fears, testing the limits of justice, politics, and morality.
Metoda Markovič: Straka
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Poslední oběť
A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.
Honeymoon
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Aféry
Young Ondra has asthma and so his parents throw away his favourite toy: a musty old stuffed bear named Kooky. That night Ondra dreams that Kooky is determined to find his way back home from the dump. In the boy's fantasy, the bear gets lost in a forest occupied by strange animals and remarkable beings that he never heard of while living on the toy shelf in Ondra's room. And of course even in this small imaginary world, true good exists as does real evil, which Kooky must face up to in order to become a real hero.
Kooky
Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.
Lovers & Murderers
On the night it happened, Aleš Berka was celebrating his 50th birthday. A successful, mature man at the peak of his powers. Congratulations, gifts, a happy mistress, a healthy son. The fact that one of the guests had an accident at an intersection on his way home from the party was just a minor blemish on an otherwise perfect evening. The local underworld boss, Radek Máša, immediately called Aleš and asked him to cover up the accident, as always. The district police chief, Aleš Berka, promised to do so, as always. But in the morning, he learned that Marta, the girl who was driving the car, was lying in agony in the hospital and that she was the love of his son Ríša. Ríša believes unconditionally that his father, the district police chief, will do everything in his power to find and punish the culprit of the traffic accident who fled the scene...