Peter Bzdúch

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

This three-part production about the life, work, and times of Slovak literary classic Jozef Gregor Tajovský focuses on Tajovský's childhood. Jozef Gregor Tajovský was born in Tajov in 1874 and died in Bratislava in 1940. A large part of the life of the prose writer and playwright Jozef Gregor Tajovský is connected with his native Tajov, Banská Bystrica, and the surrounding villages of Pohorelá, Lopej, Horná Lehota, and Podlavice. He spent his childhood in Tajov with his grandparents. He speaks of it as the most beautiful period of his life. After completing elementary school in Tajov, he studied at a grammar school in Banská Bystrica and at a teacher training college in Kláštor pod Znievom. He was particularly attached to Tajov, to which he returned throughout his life.

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A two-part TV drama about the life and work of Jozef Murgaš, a world-renowned inventor, talented painter, and Slovak patriot. The first part focuses mainly on his life in Slovakia and describes Murgaš's student years. He leaves the picturesque surroundings of his native Tajov to attend high school in Banská Bystrica and later, at his mother's request, continues his studies in theology at the Esztergom Seminary. However, his studies did not end with graduation from this faculty. His love of painting was stronger and led him first to a one-year art preparatory course in Budapest and then to the Academy of Fine Arts in Munich. However, he was unable to complete his studies due to brutal intervention by the authorities. The second part depicts Murgaš's life in Wilkes-Barre, Pennsylvania, in the United States. He worked there as a priest in the local church, which he built together with other Slovaks. He also contributed to the establishment of a school for Slovak children in Wilkes-Barre.

6-part television film based on the historical novel of the same name by Hana Zelinova.

The series depicts the history of Slovak society in the first decades of our century and leaves a deep faith in humanity and the nation. It tells the life story of Pavlínka, the daughter of a laborer and innkeeper, whose fate is filled with love, social ambitions, and unfulfilled dreams, and who ultimately returns to the basics of life, to naturalness and wisdom.

At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

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The story of a man who decides to leave his job and good position to return to his native region and become the administrator of an open-air museum. This step is primarily his personal rebellion against the abuse of his scientific work. It is only a personal confession in a conversation with his teenage daughter that brings him moral cleansing and a return to his lost psychological balance. The final film by Slovak director Stefan Uher.

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Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.

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Dark satire about bare-knuckled capitalism in the immediate post-Cold War era. Set just as the Communist government is collapsing, the film focuses on the brutish Racz, the handyman in a Bratislava hotel. Knowing that his job is insured for life, Racz turns off the building's heat and demands food, money, and sex to have it restored. The film is narrated by a pimp named Urban who explains that people in the former Czechoslovakia were so used to being abused that they simply put up with Racz's corruption. By the end of the film, Racz's fortunes have changed considerably. Instead of being a lowly worker, he is now a ruthless and wealthy businessman, unafraid to kill or kidnap those who get in his way.

The Old Beekeeper brings a suggestive reflection on the pure soul of a brave simple man who strives to live honestly and selflessly. His relationship to the order of the world and nature also reflects his relationship to people, and he achieves harmony in life through his ability to live in accordance with his conscience and moral principles.

TV transcript of the fairy tale story H. Ch. Andersen's fairytale story about the desire for happiness and the need to forgive in order to find true happiness. Two families lived in one house - a rich general and his daughter Emilia upstairs, and his landlord and his son George in the basement apartment. The two children liked each other very much, but their friendship was thwarted by Emilie's mother. So when one day the rich patron discovered Georg's talent and took him with him to Italy, Georg carried a piece of bitterness in his heart. When he returned some time later as a successful and famous painter, he could not resist returning his humiliation to the impoverished general's family. But love is stronger than revenge...

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This two-part production follows the lives of three generations of women from the Jablonczay family at the turn of the 19th and 20th centuries. The first part begins in 1882 and focuses on the two older generations. The eldest, Maria (Emília Vášáryová), lives in a dead relationship with her husband Kálmán (Milan Kněžko). She is the mother of a son and three daughters, each of whom tries to cope with her despotic nature in different ways. In the second part, the youngest, third generation of characters enters the scene. Lenka (Zuzana Vačková) is first educated in a convent with the kind approach of the mother superior (Magda Vášáryová) and slowly gets to know the real world outside the convent and her strict family environment. The play is based on the novel by Hungarian prose writer Magda Szabó, originally titled "An Old-Fashioned Story," in which the author describes the family life of her own ancestors.

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Majka "Chatterbox" is a girl entering adolescence. She was born with a minor disability. While her mother keeps scolding her for the way she walks, her classmates mock her and call her a "duck". Along an innocent first love affair and a secret friendship, she receives little understanding from her parents and lots of malice from her schoolmates. Majka finds refuge with her grandmother and in her own fantasy world.