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Peter Krištúfek

Directing

Known For

The Hungarian Dressmaker
7.4

Ema & Death’s-Head deals with the precarious border between humanism and the protection of one’s own life in situations when one excludes the other. Marika Sándorfi is hiding a Jewish boy during the dramatic era of the First Slovak State on the Slovak-Hungarian border. Šimon Holan, the boy in hiding, has a special ability to survive thanks to dreaming and a child’s fantasy.

The Hungarian Dressmaker

2024
Visible World
4.2

Oliver is a lonely forty-something working as an air traffic controller. He fills his empty life by watching TV and observing the family living in the house across the street - he regards them as an ideal of happiness. At first he just watches the family, but he gradually wants to learn more about them. He soon realizes that borders of one's private life are more fragile than they seem.

Visible World

2011
Slovakia 2.0
N/A

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

Slovakia 2.0

2014
Snapshots
N/A

A documentary film about Dežo Ursiny, one of the greatest personalities in Slovak music. The film features people on whom he left a deep mark during his lifetime – his long-time collaborator, poet Ivan Štrpka, colleagues Marián Varga and Andrej Šeban, as well as producers, friends, and sons. Through short "snapshots," as one of Ursiny's albums was titled, Krištúfek composes a portrait of this remarkable artist from his bohemian youth to his ascetic period of inner reconciliation before his untimely death.

Snapshots

2008