Djibril Diop Mambéty

A now-rich woman returns to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

Documentary about Djibril Diop Mambety.

Mory, a cowherd, and Anta, a university student, try to make money in order to go to Paris and leave their boring past behind.

Badou Boy, a cheeky young man, travels through the streets of Dakar on the city buses and experiences adventures.

A penniless, fast-thinking musician buys a lottery ticket which he glues to his back door, in hopes of eventually retrieving his instrument from his exasperating landlady. —but the ticket wins...

A film made in Cameroon and France about the life and work of filmmaker Djibril Diop Mambéty, with testimonials from filmmakers Abderrahmane Sissako, Newton Aduaka and Mahamat-Saleh Haroun, Cheick Fantamady Camara, Mahama Johnson Traoré; critics Catherine Ruelle, Thierno I. Dia and Brice Ahounou; Cameroonian actor Gérard Essomba; Mambéty's brother, Wasis Diop; and his son, Teemour Diop Mambéty.

Cinema is Magic offers a rare insight into the filmmaking process of one of African cinema’s foremost directors Djibril Diop Mambéty. Interspersed with clips from his films, Mambety poetically discusses his deep love of cinema and philosophical approach to life and making art. Director Silvia Voser, had a long-standing working relationship with Mambéty having worked as a producer on Le Franc (1994). Her documentary captures the auteur’s hopeful outlook on cinema and its infinite possibilities.

Senegalese director Djibril Diop Mambéty, one of the greatest figures in all of African film, died in 1998. In this behind-the-scenes documentary, shot during the making of his final work, The Little Girl Who Sold the Sun / La petite vendeuse de soleil, Mambéty speaks with his technicians, prepares the actors, talks with his young star, and, in voiceover, shares his thoughts on cinema and life.Mambéty doesn't differ significantly from the stock "behind-the-scenes" documentaries that adorn most DVDs nowadays, except that Mambéty's films have scenes you actually want to be taken behind. Because of the kind of attention that gets paid to African cinema, there's an initial intrigue to Mambéty, but that interest is sustained by Mambéty's own lyrical insights into his aesthetics.

This documentary offers the reflections of filmmakers shot at FESPACO 1991. Djibril Diop Mambéty, David Achkar, Moussa Sene Absa, Mambaye Coulibaly, Idrissa Ouedraogo, Mansour Sora Wade... express their faith in the eternity of African cinema.

A young girl with a physical disability arrives in Dakar and challenges the convention of boys selling newspapers on the street.

Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.

Paul lives in Africa. He leads an honest and calm existence. Until the day when he finds his friend Frankovich dead.

At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the government of Ian Smith hanged three black revolutionaries who had nevertheless been pardoned by the Queen of England. René Vautier, with ZAPU (Zimbabwe African Party for Unity), denounces this killing. Expelled by the Rhodesian police (informed by the French secret services), the filmmaker shoots a film in Algeria in the form of an indictment against colonial savagery. The film was first banned in France, then authorized in 1965.

In April and May 1991, Djibril Diop Mambéty shot his second—and final—feature, Hyenas, a free, lyrical adaptation of Friedrich Dürrenmatt’s play The Visit, which he had been dreaming of bringing to life for years. Rather than taking the making-of approach, Ninki Nanka, The Prince of Colobane used the filming of Mambéty’s movie, which he wrote, directed, and acted in, as a pretext to examine his character. Following him throughout the shoot and also paying visits to his family and childhood friends, Laurence Gavron set off on a quest to find the real Djibril—actor, author, filmmaker, brilliant poet, rogue and clairvoyant, charmer with a big heart—in order to expose the different facets of this generous, creative, and fiercely committed vagabond spirit.