Akira Fukuhara

Onimata Kan is famous for two things: a successful career writing S&M erotica, and hosting the erotic gatherings aboard what has come to be known as the Slave Ship, where the main attraction is the auctioning of the services of sexual partners willing to fulfill any desire. So if it's all consensual, there's no harm, right? At least, that's what Onimata believes until he learns that one of the frequent auctionees has gone insane, and that her husband believes the cause is related to a stalker she acquired. Are the activities aboard the Slave Ship somehow to blame? Fearing the answer, Onimata goes to investigate the mysterious Kitagawa, and soon learns that his own writings only hint at the extremes to which some will go.

A secretary is introduced to the world of BDSM by her boss. She becomes his personal slave as they take a walk on the wild side of experimentations. This film is based on main actress Rinako Hirasawa’s personal experiences.

Hosono, a film director who continues to make adult videos to make a living, spends his days desperately trying to realize his own project. However, one day, driven by anxiety and impatience, he steals a script from the screenwriter's home...

In May 1936, the “Abe specific incident.” shook the entire country of Japan. It is said that Abe had a live-in maid (Yuma Asami), the owner of the restaurant’s employer Ishida (Nobuyuki Matsuda) was killed, that the cut is more localized. With respect to neither confirm nor deny the crime, frustrated by the testimony of the specific criminal Urakawa Abe (Shun Sugata). And the relentless questioning of Urakawa, we are told the circumstances leading to death and cut from the bodies of penis. Result of fierce passion between men and women debauched erratic, and saw two people … and the constant questioning after the incident, and the constant “last seven days” to depict that Katsuaki the in the here and now Abe no specific story that you have to watch it!

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.

A sensual drama that depicts the conflict between a chaste married woman and an office lady who is in love with her husband. A masterpiece that thrillingly depicts the destruction of the happiness of a loving couple through the tangle of love and hate between two mad women and a man. Hisae is in the midst of happiness after her husband Mitsuo, who works for a housing builder, built his dream home on the seaside due to his unusual career advancement, but it turns out that Mitsuo is involved in the company's tax evasion. When his colleague Nobuko acts threateningly after discovering the truth, he begins to be controlled by a disturbing shadow.

Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

The youngest sister Miyo is an illustrator but she is a shut-in. She does not socialize with anybody. The middle sister Mizuki is working at a bar. She gives all of the money she earns to her boyfriend, who is actually married. One day, the oldest sister Hoshimi, who is a painter, returns home. Hoshimi brings different men to the house, and has sex with them. The two younger sisters are thrown off by her behavior, until they find the reason for Hoshimi's frustration.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...

Junior high school student Yuna lives with her father Toshiharu. Her mother Akemi moved to Naha when her older sister entered high school, and Yuna is worried about her father's life after she leaves.

After a happily married couple running a hot spring resort are awakened to their sadomasochistic desires, their relationship will never be the same.

Two wives who leave their husbands behind and go on a hot spring trip, and two husbands who play homosexual games because it's not fair for them to be the only ones enjoying it. In contrast to the wives, who warm each other's bodies with hot water and lesbian play, the husbands cool each other's bodies by facing each other naked on a dark table with a bottle of sugar. There is another couple in danger of getting married because their parents disapprove of their relationship, but these two also change their mind, saying that marriage is between them. The story focuses on the liberation and change of consciousness of these three couples, who audaciously kiss on the street to get warm, and rethink their love and freedom.

Eiko has an unsatisfying marriage, and finds satisfaction in the arms of the younger Mitsuo. After a passionate spell between them, Eiko feels she can't keep living this way and breaks up with him. Two years later, Eiko’s younger sister, Yuiko is happily engaged to marry, and introduces her fiance to Eiko. The fiance is no other than Mitsuo. Mistuo and Eiko pretend to meet each other for the first time. Will they be able to keep living this lie? This romantic drama was shot beautifully by one of Japan's leading cinematographers, Shoji Shimizu.

Mari (Erina Aoyama) and Rin (Rina Yuki) have known each other since elementary school. They are both dancers who admire the legendary stripper Masae Shindo. One day, Mari receives a proposal from Takao (Salmon Salmon), an avid fan. Takao's profile as the sergeant of a high-class inn in Yamanashi is enough to make her fall in love with him. Meanwhile, Rin is dating a host, Yoshio (Ishikawa Yuya), but when he asks for money, she gets into an argument with him and breaks his nose. When Takao returns to his parents' house, his mother Mayumi (Mayuko Sasaki) is disgusted by her son's behavior and locks him in a storehouse. Mari receives the news from Takao that he has been caught by the bad guys, and decides to go to Yamanashi. Fearing that Yoshio will retaliate against her, Lin also decides to accompany Mari.

Pink film directed by Akira Fukuhara.

No description available.

Three years ago, Ayano lost her husband and was running a small delivery business on her own, raising her daughter, Asami. Unable to pay high wages and struggling with high employee turnover, she followed the advice of her neighbor, Mr. Shiroyama, and offered her body to a new employee, Nishikawa, to get him to promise to stay for three years. Then, one day, Ayano and Asami had an argument. Asami confided in her boyfriend, Tonoyama, who embraced her tenderly and suggested they live together, but afterwards, Tonoyama ran off with the company's money…