Tomáš Pavelka

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Divorce doesn't have to spell disaster. Even with alternating care, it can be fun. Especially when such quirky characters as ours are involved. Sure, even in One Family, things get rough sometimes, but love always wins in the end. Because more parents mean more love.

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A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

Alex Plan, a school ombudsman, strives for fair solutions for everyone, often going against the grain of the system and established practices. He advocates for people experiencing problems in education and tackles issues such as teacher murder and student sexual harassment.

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The young Maria Theresia sees her life clearly in front of her: she will marry Franz Stephan of Lorraine and start a family of many with him. Even if Franz Stephan is not quite sure of his luck and her father, Emperor Charles VI, and his powerful advisor Prince Eugene of Savoy forge quite different plans for them. It looks quite as if the young archduchess must sacrifice her happiness to the cause of the state

The story focuses on a special unit of Czech intelligence, known as the Extraktoři (Extractors). The unit operates in secret and its main mission is to ensure the safe return of endangered Czechs from abroad. The story offers insight into the world of espionage and international covert operations and is inspired by true events.

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Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.

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At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.

The end of summer in the film also means the end of life. Vladimír Holas dies. Who is Vladimír Holas? Painter, sculptor and teacher of district importance. He painted many beautiful pictures - but not as great as he wished. He wasn't in the party, he wasn't in the Union of Artists, he didn't sell out to the past regime. The house in the beautiful countryside is his last refuge, death is inevitable and he doesn't want to die in an estranged hospital. He wants to crouch standing up, the way he lived.