Graeme Thomson

The Crystal Cube was a spoof science program, based on shows such as Tomorrow's World. The show was hosted by Jackie Meld (Dame Emma Thompson).

Surgeon Gabriel Weston introduces us to people from across the globe with the world's most unique bodies.

Documentary series in which Dr Hannah Fry explores the mystery of maths. Is it invented like a language or is it discovered and part of the fabric of the universe?

The Channel Tunnel stands as an engineering triumph and a testament to what can be achieved when two nations, Britain and France put aside their historic differences and work together. On the 25th anniversary of its opening, we reflect on what it took to build the longest undersea tunnel ever constructed.

Oliver is a chimpanzee who not only can walk upright, but does of his own accord. For years there have been debate's over Oliver's identity. All those who know Oliver swear that he is at least somewhat human. Is Oliver a chimpanzee and human hybrid, a well trained chimpanzee, or something altogether different?

Intercity 125 – Britain's own original high-speed train – rules the rails today, but this national icon is set to give way to hi-tech imports. It's time to celebrate the heroic story of a design classic that saved Britain's railways from terminal decline.

This topical programme taps into the nation's obsession with the weather and asks whether we are heading for another 'snowmageddon' as experienced in the previous two years. Can forecasters give us warning this time around? How does the 'olde' weather lore compare with the supercomputers? And what are we doing across Britain to prepare ourselves as we head into winter? 'Will It Snow?' predicts what another extreme cold snap would spell for Britain's economy as it puts the science of weather forecasting to the test and asks the experts what we are in store for between now and spring.

Two-channel video installation shot in Los Angeles by Magiloni and Thomson, commissioned for Schizo-Culture/Semiotext(e) exhibition at SPACE Studios, London, 2014.

The voice coming from a recording of Paris 8 Vincennes university lecture long time ago belongs to Gilles Deleuze and reminds us of the intellectual adventure of the 70s whose political and aesthetical echo resonates in the intermittent, non-mandatory structure in the purely cinematographic field.

Following the publication of A Thousand Plateaus, a work that marked a highpoint in his creative partnership with Gilles Deleuze, Félix Guattari began working on a screenplay for a science-fiction film, Un amour d’UIQ. This script, which preoccupied Guattari’s attention for seven years, represented a blueprint for a subversive popular cinema through an imagined hyper-intelligent infra-cellular life substance—“UIQ” (Universe Infra-quark)—capable of controlling global communications networks and plugging into the “desiring machines” of a community of squatters. After discovering the unpublished script, Paris-based artists and filmmakers Silvia Maglioni and Graeme Thomson initiated a multiform research project that culminates in their film essay In Search of UIQ, which takes on Guattari’s central quandary: how to give shape to a bodiless entity, seemingly without spatial or temporal limits.

Refusing to pay for the debt, two Athenians decide to leave their city. Guided by mysterious crow calls, they wander through a desolate urban landscape until they reach a zone of passage and are spirited to an ancient forest, the Realm of the Birds. Here they meet the Hoopoe, half-bird half-woman, who tells them how the birds live by sharing their resources amid the magical forces of the forest. However, one of the men has other plans for the birds. Though far from easy, the inter-species encounter will be illuminating for all.