Hermína Franková

No description available.

A teenage witch, frozen in time as a punishment for 300 years, finds herself in a modern world.

The protagonist is supposed to go to a graduation reunion and, because she is ashamed to reveal that she is still lonely and unmarried, she makes up a story that her husband was a Swede who came to the Czech Republic for assembly and that he died suddenly. She tries to fend off the prying classmates with a photograph of her "husband" with his colleagues from a newspaper article, where she accidentally shows a man. What a surprise the classmates experience, and what consternation she herself experiences, when the freshly deceased man in question suddenly appears at the spa where the incriminated alumni reunion is being held! And not only is he alive, he even speaks Czech suspiciously well...

This satirical micro-comedy condemns the petty bourgeois mentality, especially bragging. The ridiculous protagonists are two elderly neighbours who are constantly exaggerating the wealth and status of their now grown-up children, who have to submit to their whims - for example, they have to borrow a car to look quite affluent...

No description available.

The war will also affect children's games. The children hide a French boy who has managed to escape from a prison transport. Language differences certainly don't matter when sporting talent is on display. The refugee becomes a welcome addition to the schoolboy football team, which is about to play against the German soldiers.

No description available.

No description available.

When he didn't want her, a stick or a charmer was used, in more serious cases the love stone helped. When he wanted her too much, an extract of wormwood, comfrey and anise, slightly sharpened with brandy, was slipped to the young man. The marriage recipes were simple at first glance and apparently very effective, judging by the punishments of those who secretly engaged in witchcraft alchemy. Even three hundred years ago, association with unclean forces and possession by the devil meant being sent to the stockade or sentenced to death by burning. This was exactly the fate that befell Magdalena, the parish cook, and Marta, the widow of a wigmaker. As witches, they were condemned to have their souls wander forever without consolation. Three hundred and thirteen years later, Magdalene and Martina's souls managed to "incarnate" into the bodies of two modern women.

The final part of the ghost triptych will take Marta, Magdalena and Janko to the world of television. The 700th anniversary of the town of Milotín is being celebrated, there is a pilgrimage on the square, an improvised stage, prepared for the jubilee variety show, which will be broadcast on television. The director faints from this and so Marta's ghost has a body. The emcee arrives, and at the right moment the ghost of Magdalena takes possession of her body. It takes a while for the "fiery women" to settle into their new roles. The entire television crew helps them. The librarian Holoubek, who will act as an expert, knowledgeable about ancient chronicles and the history of two burned witches - Marta and Magdalena, will contribute mainly to their success.

A loose continuation of the production of The Fiery Women. The souls of the witches Marta and Magdalena, burned in the 17th century, enter the bodies of two members of a group of antique thieves. Marta is now an expert in antiques, and Magdalena, to her horror, the body of a young man from an antique shop. In addition to the swindles - exchanging for imitations - the group is preparing to steal a valuable painting from a museum. Its employee Boženka is supposed to exchange it for a copy. In the middle of the action, a gas explosion occurs in the museum, and our women come to the bodies. It takes them quite a while to realize that they have fallen into their clutches...

No description available.