Vladimír Páral

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Good-looking Edita Beningerová (Jana Brejchová) arrives at a chemical factory in the North Bohemian town of Ústí nad Labem together with her young assistant Nada (Zlata Adamovská). She is hoping that her ex-husband, outstanding practical chemical engineer Vik Panc (Eduard Cupák), will help her conduct an experiment to validate her proposed theoretical method of isolating cholesterol from lanolin. The success of Edita's invention is crucial for her career at the Prague Institute of Chemistry. Vik's roommate from his hostel Bréta (Ivan Vyskocil) is thrilled. He will finally meet the mysterious and fascinating Edita about whom he has learned so much from Vik.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.

Adaptation of Vladimir Paral's comic novel, which criticizes consumerism as an attitude of life.

The first installment of a two-part movie adaptation of the Vladimír Páral's novel about three friends who decide to start up an erotic enterprise. All plot complications ensue from running their 'amateur' pleasure parlor.

A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend. When he discovers that she’s having an affair with his boss, he devises one elaborate plot after another to murder the rival, each time with pathetic results.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

A psychological story about dissatisfied individuals who despise the stereotypes of others, but create their own. Kazan, a vagabond through life, and Viola, who always settles for the ideal, form a disparate pair who eventually find the one.

Although shot simultaneously with the first part, director Vít Olmer's sequel to the story of three businesswomen dealing in erotic services stands on its own. The film abandons a majority of the topics important to the original and focuses instead on a new plot and characters: the erotic club's new owner introduces an element of crime by blackmailing her customers.