Mila Espiga

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

A caustic satire of many of the 'types' found in Spanish society.

After a mysterious leader imposes his law in a brutal system of vertical cells, a new arrival battles against a dubious food distribution method.

Three generations of women deal with family secrets while surviving the east wind, fire, insanity, superstition, lies and even death.

A family of five living in 50 square meters without air conditioning on a scorching summer day decides that perhaps the best option is to stay overnight in the empty 'mansion' where the father works as a gardener.

Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.

Martos wants to leave his dark past behind, so he undergoes cosmetic surgery to change his face. But his obsessive paranoia keeps him away from his main goal: the getaway.