Jacques Alric

A French variety show.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

Les Cinq Dernieres Minutes is a crime based French television series

An international assassin known as ‘The Jackal’ is employed by disgruntled French generals to kill President Charles de Gaulle, with a dedicated gendarme on the assassin’s trail.

Mike (Jean-Paul Belmondo) is a stuntman who works with his girlfriend Jane (Raquel Welch). On their wedding day Mike and Jane are forced by producers to do a stunt for a film they are working on. Mike, annoyed doesn't look on the road and crashes the car causing them to end up in a hospital. After they come out Jane doesn't want to talk to Mike so he decides to get her a job in a film in which he is a stunt double for his double who is a star in action pictures but is in fact a wimp.

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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

François Vidocq has been sentenced to eight years' hard labor for a crime he didn't commit. Escaped with the help of his faithful friends Desfossés and Fil de fer, the convict is pursued by his lifelong enemy: the policeman Flambart. Between scams and disguises, Vidocq initially leads an undercover life in 19th-century Paris. Eventually, the two men team up to fight criminals... And Vidocq succumbs to Annette's charms.

The series follows a group of Allied pilots who crashed in occupied territories during WWII. A network of civilians and Resistance fighters, "La Filière", is in charge of helping them pass from France to Spain so they can avoid capture.

The boy Simplizissimus grows up with simple farmers in the Spessart region. But the idyll is abruptly destroyed by the Thirty Years' War. Simplizissimus is sent to the besieged fortress of Hanau. When the lansquenets there play crude jokes on him, he flees with his friend Herzbruder to the Croats. But even here he does not fare much better.

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Two people, a Frenchman and a Jewish German woman, meet on a train while escaping the German army entering France.

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.

Édith Giovanna Gassion is born in 1915. As a young girl she sings on the streets of Paris until a nightclub owner, Louis Leplée, discovers her. When he is murdered the composer Raymond Asso takes care of her and lets her perform at the ABC theatre, which leads to her breakthrough.

Malisard is a reporter at "Soir de Paris", his colleague Prévot is a photographer. Together, they roam the streets of Paris.

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A light philosophical movie about a painter who has the ability to produce paintings that can feed people's stomach by watching them.

People in Paris struggle with loneliness and urban isolation. In the center is Raphaële, a successful architect navigating her fragile relationship with her lover Vincent, a journalist grappling with alcoholism.

Tony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemployed and penniless, they all dream of consumption and possession. Until the day a fight turns ugly: Tony, trying to reason with Nanar, pulls the trigger.