Acting
After two parents report that their 12-year-old daughter Asunta is missing, the investigation soon turns against them.
Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home. Now, Padín's two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.
In the year 2000, Maixabel Lasa’s husband, Juan Maria Jauregi, was killed by ETA. Eleven years later, she receives an incredible request: one of the men who killed Juan wants to meet with her in the Nanclares de la Oca prison in Araba (Spain), where he is serving his sentence after breaking ties with the terrorist group. Despite her reservations and her immense pain, Maixabel Lasa agrees to meet face to face with those who ended the life of the person who had been her companion since she was 16 years old. ‘Everyone deserves a second chance’, she said, when asked why she was willing to confront the man who killed her husband.
In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.
We believed in a better world, we decided to make it come true
A hazy, intimate journey through Santiago de Compostela, told through memories, correspondences and the quiet poetry of travel.
Carme lives in a mountain village in Galicia with her sick mother and her father Ramón, with whom she hardly speaks. Working in a bakery, she feels the urge to escape from this oppressive atmosphere, but circumstances always seem to stop her. But during the “Rapa das Bestas” weekend – a celebration of the age-old struggle between man and horse – Carme’s older brother, Luís, comes home with his wife María...
The protagonist of this chilling story, Sonia, going through a crisis in their marriage when buying at auction an old mirror from a hotel. The mirror will show images of the murder of a woman in a hotel room where he was ...
The untold story, a drama blending friendship, love, and vast landed estates. What will be Martiño’s priority: friendship, love, or cows?
Contou Rosalía is a telefilm (also broadcast as miniseries), of TVG, released on May 16, 2018, on the eve of Galician Letters Day, based on the life of Rosalía de Castro in Madrid.
The literary activity of Emilia Pardo Bazán causes the scandal of her husband and conservative circles. Supported by his family, decides to end her marriage to become a professional writer. Doña Emilia is set in Madrid, where he developed an activity tirelessly to get the place in the institutions of culture that deserves for his talent and ability, facing all kinds of slights and exclusions because of their gender. The Countess will become one of the key figures of female emancipation in Spain in the late nineteenth century, leaving a work as extensive as rich and varied.
Sicixia is a fiction feature-length film shot in Costa da Morte (Galicia, Spain). Sicixia is an intended peripheral film. Periphery is where the world gets different, not where it ends. For Romans, Finisterrae was the end of the world. Sicixia wants it to start from here. Sicixia portrays Costa da Morte's unique heritage by intertwining fiction and reality, powerful images with subtle and rich sounds and stories.
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A film in which an account by Baño’s grandmother opens the door to an associative, heterodox exploration of historical memory.
Nina Simone knew how to sing.
