Alain Le Henry

Out of the norm police officer Navarro and his team investigate the most troubling, serious and heart rendering cases in the city of Paris.

Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.

In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.

A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents' disintegrating marriage - all this in a rented house in a summer resort.

In 1956, with the independence of Morocco, the Fedala conference in Tangier is set in a city of turmoil.

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.

Wed just as war breaks out, Jeanne hardly gets to know her military husband, Louis, before the debacle of 1940. While waiting for his return from a POW camp, Jeanne journeys through countless affairs with Louis' comrades- in-arms. Hoping to forget these wartime betrayls, Louis takes his wife and the infant twins he didn't father to Berlin, where she falls for Matthais, a sensitive German industrialist. When the Indochinese war sends Louis to Vietnam, Matthais follows Jeanne back to France. A subsequent move to Damascus where Louis is posted as military attache, fails to break their bond.

Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator.

Simon, a famous violinist, sinks into alcoholism. He finds support from his lover, who is also the manager of the orchestra in which he plays. But is she really helping him or is she exploiting his dependence on her? A man who has been through the same experience as Simon, offers to help him...

"Cocktail Molotov" is the story of the adventures of this threesome, who reach Venice only to learn of the outbreak of the May 1968 disturbances at home. Once again, Anne, Frederic and Bruno realize that the important things of their time are happening somewhere where they are not. Swindled out of their car and virtually broke, they hitchhike back to Paris, hoping to arrive in time for some of the excitement.

Now a taciturn adult, an adoptee finds his biological mother and strikes up a relationship fraught with tension and emotion.

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.

When he first enters the Montpellier Opera House, Victor knows nothing about music. Nor does he know his father, Samuel Rovinski, who is there to conduct Mahler’s 6th symphony. To change the course of his suddenly uncertain future, for Nadia his mother, for Luna whom he has fallen in love with, Victor has decided to step out of the shadows. He’ll go as far as he needs to.

Thomas, the son of a millionaire lives a fairly isolated existence, in a mansion in rural France. His father hires a widowed woman to take care of things while he is away. The maid's son, Charles moves in as well, and the two parents hope that the two can become friends but they become enemies immediately after meeting each other. Once their parents fall in love, Thomas decides to make Charles, who he views as an "invader", as miserable as possible.

Angèle, a beautiful young woman with a past, arrives in a small fishing harbor in Normandy. She meets Tony, a professional fisherman, who finds himself attracted to her although he dislikes her blunt ways. Tony hires her as a fishmonger, lodges her and teaches her the tricks of the trade. The relationships between Myriam, Tony's mother, and Angèle are far from easy but the young woman gradually adapts to her new environment and little by little Tony and Angèle manage to tame each other.

The Bettoun clan: Raymond (the patriarch), Maurice (the son), Jacky (the nephew), Roland (the nephew), Albert (Raymond's cousin), Pépé (Raymond's friend), Samy (the bodyguard) are a family clan of Jewish Blackfoot kingpins of French organized crime. Their activities include running casinos, organizing underground boxing matches, illegal gambling, pimping, racketeering and bloody settlements of scores against other Arab and French clans. But in the shadows, Pascal Villars has sworn the loss of the Bettoun. He will succeed in setting the Arab clan against the Jewish clan, for the great benefit of the police commissioner Duché, who has been trying in vain for ten years to bring down the Bettouns.

A tired and alcoholic police investigator has lost his wife to a hotel owner, and former pimp, but befriends a young woman which isn't at all who she claims to be.

Gaby is happy. After eighteen years of work, he is a flourishing mechanist. But one day, the mechanic of his life is out of order. He discovers that his assistant is in love with his wife. This one runs away with her daughter in law. So, Gaby's friends imagine a gambit to find them, at the moment where father and son enjoy pleasures of single life.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

Temptation and danger run high in this romantic drama. In a post-World War I world, handsome veteran Antoine is ready to live life with his beautiful wife, Marianne. But his happiness is threatened when Marianne's alluring sister, Evelyn, pulls him into a seductive web of deceit and infidelity.